Saturday, March 03, 2007

The Windsors: Country-versey




















From 1965. That's all I know about it. That, plus the lead guitarist sounds like a virtuoso version of Link Wray. A lucky thrift store find:

Country-versey (Edmondson)--Windsors, 1965. From 45.

Great stuff.

Here's a quieter, but just as cool, instrumental arranged and performed by the Gospel-Lites:

Gospel Grass--Gospel-Lites; from LP.



Lee

Slowly but surely, people are wising up about Wackopedia

Wikipedia doesn't make the grade in Vermont

History profs will no longer let students use the collaborative online encyclopedia as a source in their papers and reports.

By Noam Cohen, New York Times


When a half-dozen students in Neil Waters' Japanese history class at Middlebury College asserted on exams that the Jesuits supported the Shimabara Rebellion in 17th century Japan, he knew something was wrong. The Jesuits were in "no position to aid a revolution," he said; the few of them in Japan were in hiding.

He figured out the problem soon enough. The obscure, though incorrect, information was from Wikipedia, the collaborative online encyclopedia, and the students had picked it up while cramming for his exam.

Waters and other history professors had begun noticing about a year ago that students were citing Wikipedia as a source in their papers. When confronted, many would say that their high school teachers had allowed the practice.

But the errors on the Japanese history test last semester were the last straw. At Waters' urging, the Middlebury history department has notified its students that Wikipedia could not be cited in papers or exams, and that students could not "point to Wikipedia or any similar source that may appear in the future to escape the consequences of errors."

With the move, Middlebury, in Vermont, jumped into a growing debate within journalism, the law and academia over what respect, if any, to give Wikipedia data, written by hundreds of volunteers and subject to mistakes and sometimes deliberate falsehoods. Wikipedia itself has restricted the editing of some subjects, mostly because of repeated vandalism or disputes over what should be said.

Although Middlebury's history department has banned Wikipedia in citations, it has not banned its use. Don Wyatt, chairman of the department, said a total ban on Wikipedia would have been impractical, not to mention close-minded, because Wikipedia is simply too handy to expect students never to consult it.

Jimmy Wales, the co-founder of Wikipedia and chairman emeritus of its foundation, said of the Middlebury policy, "I don't consider it as a negative thing at all."

He continued: "Basically, they are recommending exactly what we suggested -- students shouldn't be citing encyclopedias. I would hope they wouldn't be citing Encyclopaedia Britannica, either.

"If they had put out a statement not to read Wikipedia at all, I would be laughing. They might as well say don't listen to rock 'n' roll either."

Indeed, the English-language version of the site had an estimated 38 million users in the United States in December, and can be hard to avoid while on the Internet. Google searches on such diverse subjects as historical figures like Confucius and concepts like torture give the Wikipedia entry the first listing.

In some colleges, it has become common for professors to assign students to create work that appears on Wikipedia. According to Wikipedia's list of school and university projects, this spring the University of East Anglia in England and Oberlin College in Ohio will have students edit articles on topics being taught in courses on the Middle East and ancient Rome.

In December 2005, Columbia Prof. Henry Smith had graduate students in his seminar create a Japanese bibliography project, involving dozens of articles, including 13 on Japanese dictionaries and encyclopedias.

In evaluations after the class, the students said that creating an encyclopedia taught them discipline in writing and put them in contact with experts who improved their work and whom, in some cases, they were later able to interview.

©2007 New York Times. All rights reserved.

Friday, March 02, 2007

Polka time!!!!





















Your polka-crazed blogger in action.


Dragnet Polka (W. Schumann)--Kenny Bass and His Polka Poppers, 1953. From Coral label 45.

I Walk the Line Polka--Ed Podolak and His Orchestra, from Rex label LP.

Stairway to Polka (Hartsfeld)--Lee Hartsfeld, on Noteworthy Composer software, 2006.

Lee



Friday morning revival at MY(P)WHAE!



















The Gospel-Lites


Hear Jerusalem Moan--Carl Story, 1961. From Starday LP.

Rain, Rain, Rain--Imperial Quartet. From Word 45.

Take Your Shoes Off Moses (Jarris)--The Gospel-Lites. From LP.

Wayfaring Pilgrim--Gospel-Lites.

In the Year 2525--New World. From LP.

Gloryland Jubilee (B. Abner)--Blackwood Quartet, 1953. From 45.



Lee

Wednesday, February 28, 2007

Ichabod and the Cranes and Jack Paar for our Wednesday morning


















If you woke up this morning saying to yourself, "I wish someone would feature Ichabod and the Cranes and Jack Paar at his or her music site--like, is that too much to ask?" then you came to the right blog. Of course, this is always the right blog to come to. We think.

Yes, Ichabod and the Cranes and Jack Paar. Not together or anything, but both artists recorded material by Jerry Teifer and Joe Hornsby, who wrote songs for the 1959 Broadway musical comedy Tall Tale, so we're featuring them side by side. Successively. Whatever.

That made sense, didn't it? No? Well, who asked you? (Oh, I did. Sorry.)

A fair number of Teifer and/or Hornsby creations show up on the 'Net, but we'll stick with the four I found in my collection--Jack Paar's astonishingly awful novelties Blue Wiggle and Funny What You Learn from Women, and two far better Ichabod and the Cranes offerings called Supermarket of Love and The Turtle.

Who was Jack Paar? A Tonight Show host, of course--and an even less funny comic than Johnny Carson. Nowadays, all a comic has to do to be "funny" is rattle out four-letter words; at one time, all a comic had to do was act droll. I'm not sure which situation was stupider.

And how about Ichabod and the Cranes? Beats me. The lead talker sounds sort of like Gary Paxton, but I'm fairly sure it isn't him. Er, he. Whoever.

And I just noticed that Charles (The Thing) Grean is partially responsible for the Jack Paar side Funny What You Learn from Women. Took the trio of songscribes minus-three minutes to write it--one minute per writer, minus a six-minute coffee break.

Now I've explained things so expertly and thoroughly, it's on to the music:

Blue Wiggle (Teifer-Hornsby)--Jack Paar, with whistling by Jerry Teifer, 1958, From RCA 45.

Funny What You Learn from Women (Teifer-Grean-Csida)--Jack Paar, with whistling by Jerry Teifer, 1958. (This gets on my nerves so badly, I can't believe I kept the record. But I did, and aren't you happy for that?)

Joe and Jerry made up for all past crimes with these two genuinely weird and funny tracks by Ichabod and the Cranes, whoever the heck they were. If anyone knows, please don't hesitate to comment:

Supermarket of Love (Hornsby-Teifer)--Ichabod and the Cranes, 1964. From Coral 45.

The Turtle (Hornsby-Teifer)--Ichabod and the Cranes, 1964.

The Turtle gets funnier every time I hear it. Genuine satire, there. And back in the days before "satire" came to mean insult humor aimed at the usual victims (women, religious folks, bald men, etc.). As for the Paar single, I'm right now, at this moment talking myself out of burying it in the back yard.


Lee

Tuesday, February 27, 2007

Tunes for Tuesday (from Lee's shellac archives)















All of these were just ripped, using my new Rek-o-Kut pre-amp. Some of the titles are repeats (and re-repeats), but hopefully they sound better than ever.

Keeping in mind, of course, that some of these have been played many times since they were pressed, and NOT by lightweight Dual tonearms.

These are all mine; no files have been borrowed:

Indiana--Original Dixieland Jazz Band, 1917. From Columbia 78.

Tonight's My Night with Baby--Waring's Pennsylvanians, with vocal by Tom Waring, 1926. From Victor 78.

Indian March (Sellenick)--Creatore and His Band, 1929. From 12" Victor 78.

Hymn of the Laborers--The First of May--Creatore and His Band, 1929. From same 78.

Do I Hear You Saying--Paul Whiteman and His Orchestra, 1928. From Victor 78.

Ruspana (One-Step)--Earl Fuller's Rector Novelty Orchestra, 1919. From Columbia 78.

Sweet Siamese--Earl Fuller's Rector Novelty Orchestra, 1919. From Columbia 78.

Cold Turkey (Donaldson)--Earl Fuller's Rector Novelty Orchestra, 1917. (Yes, this one again. Sounds O.K. for a disc in GBT--Grooves Barely There--condition.)

Castle House Rag (James Reese Europe)--Europe's Society Orchestra, 1914. From 12" Victor 78.


I hope you enjoyed these tunes for Tuesday.


Lee

Monday, February 26, 2007

Christian comedy--a history, Part 4: "Here Come the Rattlesnakes"

Beware of the Blog's Feb. 11 entry, From Subculture to Major Industry: Mike Warnke and The Roots of Christian Stand-Up Comedy, has this to say about "one of the most famous figures in American Christianity" (one Mike Warnke):

"Unless you're a Christian, a Satanist, a scandal fiend, obsessive internet troll, or a vinyl collector, there is still a good chance you don't know his tale."

Well, I qualify for two of those spots (Christian and vinyl collector), yet I barely knew about Mike Warnke. My foster mom, Bev, hasn't heard of him at all--I just asked her. Bev and I must be impostor Christians.

At any rate, we're to believe that "Warnke alone is responsible for... Christian stand-up comedy"--responsible for creating it, I guess that means. For this bold claim, 'FMU scribe Kliph Nesteroff offers as proof a 1971 "Christian comedy album" by an artist other than Warnke.

Ohhhh-kay.

That album would be Hello Rock, by Word company executive Wayne Philpott. (Except that Nesteroff puts the word "comedy" in quotes, to suggest that the comedy wasn't very funny. Very "original" and "clever.") "Hello Rock did not exactly start a craze," writes Nesteroff.

So, 1971 was the year the Christian comedy LP was born. I see. Well, that must have been news to Wendy Bagwell, who gave us the 1970 mega-hit LP This, That and the Other. And on the Word label subsidiary Canaan, no less.


















This, That and the Other yielded this hit single:

Here Come the Rattlesnakes--Wendy Bagwell, 1970. From Canaan label LP pictured above.

Did Rattlesnakes start a craze, or even a trend? At this point, I can't say, but I'm guessing that the success of This, That and the Other had something to do with the appearance of Bagwell's 1975 LP Bust Out Laffin', which included the tracks "Old Ralph Bennett's Volkswagen" and "Rattlesnake Remedy." And, from the same year, Bob Harrington's Have Fun on Me (also on Canaan) and Christian comedian Jerry Jordan's hit MCA LP, Phone Call from God. Just a guess.
I'll be filling in the gaps as time goes by. I've only been on this for a little over a week, after all.

Speaking of 1970, here's another Christian comedy item from that year--The Cathedral Quartet's Laughing Song, a.k.a. Ticklish Reuben:

Laughing Song--The Cathedral Quartet, 1970. From Eternal label 45.

"Fine, Lee," you say. "So Kliph was off by one year. Big deal. Well, five years, if you count Bob Harrington's 1966 material. But what else have you got? Name some titles."

The Preacher and the Bear; You Can't Get to Heaven on Roller Skates; This Ole House; It's in the Book; You're in the Right Church, But the Wrong Pew. And there's the 1917 Charles Ross Taggart recording, Sister Sorrowful Entertains the Minister, and Al Bernard's Brother Pollasses' Sermon on the Letter F. There's more to be found, I'm sure.

"Is this a set-up for future posts?" you ask. Hopefully, yes.

Lee


Wake-up sounds for Monday! "Rainy Day Women #12 and 35," "Up-tight," "Indian Fever," more

As I type this, the wasp-sting site (the top of my head) hurts a little, but not much. Mostly, it itches. And two more wasps showed up in the house today. Rudy was after one of them--I had to get the thing away from him before he bit or swallowed it.

Except for the one that stung me last night, these wasps have been moving pretty slow. Uncle Joe wasps, I guess we could call them. ("And there's Uncle Joe....")

Anyway, we're about to hear two selections from the following fine LP, found in my latest Goodwill trip for 99 cents:























I live to find Modern Sound collections.

Rainy Day Women #12 and 35--Bobby Brooks, 1966?. From Modern Sound LP pictured above.

Up Tight--Richie Brown, 1965?. From same LP.

We move on with two by The Scarlets, which was Fred Parris' pre-Five-Satins group. You'll recognize the sound:

Kiss Me (Parris)--Scarlets (1955). From 45.

Indian Fever (Parris)--Scarlets (1955). From 45.

From the same year, we have....

Teardrops Are Falling--Jackie Rue and the Five Wings (1955; reissued in 1959 and credited to The Checkers), from LP. Introduced by DJ Porky Chedwick.

We hope these sides have done their job. How does it feel to be fully, gloriously wide awake? Great, no?

Happy to be of service.


Lee

Sunday, February 25, 2007

Sunday morning gospel--quartets from the Twenties

















James D. Vaughan


















Some great quartet sounds from the Twenties for our Sunday morning (including the five-man Stamps Quartet). Info about the original Stamps Quartet can be found here, at this excellent site.

Ouch! And I was just stung on the top of my head by a wasp. Seriously! The creature is no more--I just sucked him up from mid-air into our mini vacuum. Serves him right. And I sprayed Benadryl stuff on my poor head. (I'm not making this up.)

This is the third or fourth wasp to show up today in our house. At the moment, it's below 30, and rain and ice are coming down in decent amounts. So, what in the heck are wasps doing buzzing around in our house, wide awake? Idiots!

O.K., back to the intro. Here's some info on the Ganus Brothers Quartet, who sound for all the world like the Chuck Wagon Gang, only about ten years earlier! One of the amazing finds of my career.

All I know about the Old Southern Sacred Singers is that Vernon Dalhart may be singing with them. The fidelity of the two numbers leaves a lot to be desired. I did my best.

The Vaughan Quartet, formed by James D. Vaughan (pictured above), are a wonderful cross between Smith's Sacred Singers and The Stamps. I think I got decent sound from the pretty worn 78.

I can't believe I just just got stung on the head by a wasp. Blogging can be a dangerous undertaking, folks! Let that be a warning to us all. (Maybe I should wear a cap while sitting here?)

His Charming Love (O.A. Parris)--Vaughan Quartet, 1928. From 78.

I Want to Go There, Don't You?--Vaughan Quartet, 1928. From 78.

Where the Gates Swing Outward Never (Gabriel)--Old Southern Sacred Singers, 1929. From Brunswick 78.

Will My Mother Know Me There (Oatman-Golden)--Old Southern Sacred Singers, 1929. From Brunswick 78.

He's a Wonderful Savior to Me--The Stamps Quartet, 192?. From LP.

Give the World a Smile (Deaton-Yandell)--The Stamps Quartet, 1927.

Love Leads the Way--The Stamps Quartet, 1927.

He Bore It All (Baxter-Stamps)--The Stamps Quartet, 1928.

He Will Set Your Fields on Fire ((Ballew-Brackett)--Smith's Sacred Singers, 1927. From 78.

Have a Sunny Smile--Ganus Brothers Quartet, 1929. From 78.

Rejoice in God--Ganus Brothers Quartet, 1929.


Now to dig up some song info and add it in, little by little, after I publish this. Have a terrific Sunday!


Lee