Saturday, January 23, 2010

Sunday morning gospel--The Christian Couriers: Since Jesus Came Into My Heart



























From the liner notes: "The Christian Couriers Male Quartet of New Castle, Pennsylvania has a dedication to a Christ-centered mission that is rarely found in a day that is so often characterized by mediocrity!"

So there. And they are quite good, even if the arrangements (especially Were You There?) get a little mannered at points. These close-harmony, a capella performances begin with piano introductions, so I guess I should designate them as almost a capella. (Near-a capella?)

This LP was found for the blog by Diane Werts, who in turn has received some thrifted vinyl from me. I thank her for this SMG-worthy collection. To the unmediocre, almost-a capella Christian Couriers:

Click here to hear: The Christian Couriers--Since Jesus Came Into My Heart.

PLAYLIST

SINCE JESUS CAME INTO MY HEART (McDaniel-Gabriel)
I HAVE FOUND A HIDING PLACE
WIDE, WIDE AS THE OCEAN (C. Austin Miles)
BEHOLD, I SHOW YOU A MYSTERY
BREATH OF CALVARY
MY SINS ARE REMEMBERED NO MORE
THERE IS GLORY IN MY SOUL (Davis-Gabriel)
OPEN MY EYES (Clara H. Scott)
SOMEBODY CALLED MY NAME
JESUS, THE VERY THOUGHT OF THEE (Dykes)
TWENTY-THIRD PSALM
WERE YOU THERE?


Wednesday, January 20, 2010

Six gems by William Indelli



























I'm no expert on song poem artists and their songs, but I'm reasonably certain that the story of Chicago musician William Indelli (1924-1986) is the exception to the song-poem rule, and then some. To call him a song-poem artist is almost unfair, really, given that he started his career working with such big names as ex-Harry-James-vocalist Buddy Di Vito and arranger/conductor/songwriter Lew Douglas (arranger and conductor for Joni James, among others, and A&R man at Mercury's Wing label and, later, Carlton). At least seven of his songs received legitimate releases (most on Chicago labels Chance and B and F). By contrast, only three Indelli titles--I Mustn't, Don't Cry My Heart, and A Miracle of Love--show up in the discographies at Phil's Milstein's song-poem site (link above).

But... William did a great deal of (what definitely appears to be) song-poem publishing, as opposed to s-p recording, through an outfit called Tin Pan Alley Publications, which may be (but probably isn't) the Tin Pan Alley outfit mentioned at Phil's site. Phil is of the opinion that the two are not one and the same, though he believes Indelli's music was indeed published by way of some song poem company or another. I agree. These images (from the single Indelli sheet music example in my collection)--1 and 2--will give you an idea why. (The brown spots are a result of brightness/contrast enhancement.) Indelli put quite a number of his songs into print through/with Tin Pan Alley, including several we'll be hearing today.

In the five years since I first featured Indelli's Elementary, My Dear Watson (1960), I've heard from two people who knew Indelli, including a younger cousin--and the archives of Billboard magazine have gone on line. The information I've gained has allowed me to find, over the months, four Indelli titles at Addictedtostuff.com, a.k.a. eBay. Speaking of Billboard, I'm almost completely certain that this Bill Indelli is our man. Praised in 1944 as a trombonist who "hits the high notes in a style that rivals Tommy Dorsey"--how many song poem clients can boast that kind of resume?

There's much to love here--the Miller quotes inserted into Glenn Miller, for instance; the dreamy Weeping Winds (a retitling of Dame Fortune, the previous number in the B and F label's catalog!), the delightful novelty number (and MY(P)WHAE favorite) Elementary, My Dear Watson, and Heavenly, which Billboard described as "a bright, medium-beat tune" which "comes in for a listenable go" by Lew Douglas' orchestra.

Thanks to Christopher, Dick, and to Phil Milstein for all of their help in getting William Indelli some deserved Internet attention. To the Indelli.

(Click on title to hear selections, or click on zip file link for the entire set.)

GLENN MILLER (Wm. Indelli)--Buddy Di Vito, 1954 (Chance 3011).
ELEMENTARY, MY DEAR WATSON (William Indelli)--William Indelli and His Orch, 1960 (B and F 1328).
DAME FORTUNE--Same.
WEEPING WINDS (William Indelli)--Lew Douglas and His Orch., 1960 (B and F 1329).
MARY ANN'S ROCK (Roberts-Indelli)--Same.
HEAVENLY (W. Indelli-K. Roberts-A. Lavere)--Lew Douglas and His O. (B and F 1331).

ZIP FILE


Further info on William, including song titles and/or recordings (besides the on-line copyright info regarding Tin Pan Alley Publications), would be most welcome and appreciated.

Lee

Sunday, January 17, 2010

Sunday morning gospel: The Looper Trio--Holy Hills of Home, Singing on the Way

I've restored the links for two Looper Trio posts. You can reach them by these links:

Looper Trio--The Holy Hills of Home

Looper Trio--Singing on the Way

Some of the best gospel music ever put on vinyl. Flat-out fabulous music.


Lee