I know nothing about the excellent Johnson Brothers, but here's a great page on the label, International Award: Great page. Seems that today's LP (which also came out on Grand Prix) was originally a Bravo release. Not a rare album at all, a distinction it shares with the majority of sound recordings. Hopefully, you're not of those "What? People listened to this?"-type collectors, which you probably aren't if you're a MY(P)WAHE regular. Then again, who but the Shadow knows. ("Who but the Shadow knows"--79 Google matches.)
You may notice some early fade-outs, but I didn't make them--that's how the tracks came. I know not the reason for them.
As I type, allergies have my head stuffed and my brain dazed, so let's just get to the sounds, shall we. Here they are: Gospel Favorites--The Johnson Bros.
Satisfied
Lead Me to That Rock
My Lord's Gonna Lead Me Out
When I Reach That City
Lonesome Valley
Do Lord
Gospel Medley
My God Is Real
One of These Mornings
Going Home
(International Award AK-156)
Lee
78s, CAT NEWS, MERV GRIFFIN RECORDS, INCISIVE POLITICAL AND SOCIAL COMMENTARY. PLEASE NOTE THAT, DUE TO LIMITED STORAGE BANDWIDTH, MY MP3s HAVE A LIMITED SHELF LIFE--GET THEM WHILE YOU CAN! I DON'T KEEP MY MP3s (I HAVE THE ORIGINALS)--HENCE, THEY'RE NOT AROUND TO RESTORE. I AM NOT, NOR HAVE I EVER BEEN, AN EMPLOYEE OF THE INTERNET, PAID OR OTHERWISE.
Saturday, June 16, 2012
Revise, revise, revise--but don't overdo it
My last post contained an example of what can happen to a sentence after five revisions:
"Paul Gayten's 1953 Cow Cow Blues andOoh-Boo are yet two more examples of rock and roll B.E. (Befroe Elvis), while Frankie Carle's stride-style rendition of Twelfth Street Rag has nothing to do with that style, though it does predate Pee Wee Hunt's smash-hit version by eight years."
I read it today and went, "Huh?" Then I did this revision, which wasn't much better:
"Paul Gayten's 1953 Cow Cow Blues and Ooh-Boo are yet two more examples of rock and roll B.E. (Befroe Elvis), while Frankie Carle's stride-style rendition of Twelfth Street Rag does the song total justice a full eight full years B.P. (Before Pee Wee Hunt)."
Huh? Part 2.
Finally, this acceptable alteration:
"Paul Gayten's 1953 Cow Cow Blues and Ooh-Boo are yet two more examples of rock and roll B.E. (Befroe Elvis), while Frankie Carle's stride-style rendition of Twelfth Street Rag is an instance of ragtime B.T.S. (Before The Sting)."
We'll see how this looks to me tomorrow. Why is this double-spacing the paragraphs?
Lee
A playlist to rock your world!

Yes, a playlist to rock your world--and I do not exaggerate. Well, maybe a little. But, at bare minimum, it will entertain, tickle, and, in spots, even mystify. For instance, as you listen to How Do We Look to the Monkeys (Cha Cha Cha), you'll probably find yourself wondering what words Barry Gordon is singing. Which is unfortunate, because the lyrics are quite funny, but also a tad too complicated for his young voice--a backing chorus would have helped. A shame, because it could have been a classic. The flip, 10 Years to Go, however, makes for a sharp parody of Muddy Waters, Elvis, and blues-belting numbers in general. I've always wanted to type "blues-belting numbers in general."
Zag Pennell's Vegetable Love (1954) is full of horrible puns, which is to say, full of excellent puns (same difference). Paul Gayten's 1953 Cow Cow Blues and Ooh-Boo are yet two more examples of rock and roll B.E. (Befroe Elvis), while Frankie Carle's stride-style rendition of Twelfth Street Rag is an instance of ragtime B.T.S. (Before The Sting). The "fake" hits for this playlist consist of an anonymous, rocking cover of Hound Dog; a really, really bad version of I Want to Hold Your Hand from the Hit Parader label; and a decent copy of Surfin' Bird from that same EP (though the singer clearly doesn't realize he should be singing,"The bird's the word"). From 1952, we have the amazing Oh Happy Day and You Went Away--amazing, because the disc features raw (as in, unembellished) rock and roll, and because it went high on the charts, and because it nevertheless gets virtually zilch in the way of historical credit. Bound to stun anyone who thought doo-woppy, I/vi/ii/V-style ballads were a product of the mid to late Fifties. In fact, such ballads even predate Howard, but, anyway....
Oh Happy Day, by the way, is neither of the (at least) two gospel songs known by that title.
Bip Bam (Art Mooney, again) was penned by Jesse Stone of Shake, Rattle and Roll/Money Honey/Your Cash Ain't Nothin' But Trash fame, and the wonderful Four Voices ballad Darling, Thanks to You (1956) was written by Fred (Big 10 Inch Record) Weismantel, who conducts the orchestra. Rounding out our playlist are two later, excellent Hal Singer sides (one of which blatantly copies Tequila), and the New Christy Minstrels with a 1969 rendition of Alice's Restaurant. Aieeee, you say? Well, their version works for me.
To the world-rocking playlist, all ripped from discs in my collection: PTRYW
Vegetable Love--Zag Pennell (Columbia 21255; 1954)
Ooh-Boo (Gayten)--Paul Gayten and His Orch. (Okeh 6982; 1953)
Cow Cow Blues--Same.
Alice's Restaurant (A. Guthrie)--The New Christy Minstrels, 1969.
Darling, Thanks to You (Weismantel)--The Four Voices, 1956.
How Do We Look to the Monkeys--Barry Gordon w. Art Mooney Orch. (MGM K12276; 1956)
10 Years to Go--Same.
Surfin' Bird--Hit Parader 27 (45 rpm EP)
I Want to Hold Your Hand--Same.
Twelfth Street Rag--Frankie Carle, 1940.
Oh Happy Day--Don Howard (Essex 311; 1952)
You Went Away--Same.
Take Half--Hal Singer (Time 1001; c. 1958)
Hula Hoop Rock--Same.
Bip Bam (J. Stone)--Art Mooney and His Orch. (MGM K11871; 1954)
Lee
Wednesday, June 13, 2012
World Famous Waltzes, performed by... somebody
Another Royale label spectacular--eight world famous waltzes, with only seven listed, and no artist credits. Meanwhile, one title (Say It Isn't So) isn't even a waltz. Oops. The usual crack job by the ever-alert Royale quality control team.
Incredibly cool cover, though. Especially with the price sticker, etc., cloned out.
Despite the minus-ten-cent production, World Famous Waltzes is a fun collection. This somehow manages to be the case with nearly every Royale/Ultraphonic/Varisty/Rondolette LP of an instrumental-to-symphonic nature. (If only I'd held on to those scores of Record Corp. of America LPs I used to own.) Sound quality is decent, considering, except for the sole untitled track, which is either a crappy transfer of a decent master or a good transfer of a damaged master. Or a bad transfer of a decent master. Or a bad transfer of a damaged master. Or a so-so transfer of a barely adequate master. Or....
On the other hand, it is a waltz. This 10-inch long-playing record originally cost someone $1.98, but I got it for around 15 cents. It was included in a $9.98 box of polka 78s. Never did it expect to debut in cyberspace. It's at a loss for words.
To the (mostly) waltzes: World Famous Waltzes (Royale 1831)
SKATERS WALTZ
GYPSY LOVE
DOLORES
?
SAY IT ISN'T SO
VALSE BLUETTE
WALTZ OF THE BELLS
OVER THE WAVES
(Royale 1831, 10", copyright 1956)
Lee
Sunday, June 10, 2012
Sunday morning gospel: Millie Pace Trio, Vol. 2
And if you think that looks bad, you should see the "before" version. The LP was fairly worn, too, but the sound cleaned up much better than I expected--I'd give the result an 8 out of 10. And there are yet more gems to come from the great Goodwill gospel haul of last month.
Luckily for us, I ripped this early in the week, because by mid-week, I was sick. As I type, I'm slowly recovering from one of the nastier sinus infections of my career--I'd give it a few more days. More than anything, this infection has hurt. Even now, my nose is sore to the touch. (What's that? Thanks for the details, but you want to hear the music?) Oh, right. Yes. To the music.
And what music. Think country gospel. In fact, think country gospel that sounds like Les Paul and Mary Ford. So is it any coincidence that three members of this group--Eve, Carol, and guitarist Bob Summers--were siblings of Mary? I think not.
I can't find a year for this on-line, but the back jacket contains a signature (of either an owner or the giver of the LP) dated Nov., 1962. So we know this is at least that old. Going by the photo, I'd have guessed 1958 or 1959, but what do I know?
To Les and Mary--er, I mean, Millie, Eve, Carol, and Bob: The Millie Pace Trio, Vol. 2
Let the Lower Lights Be Burning
Each Step of the Way
O Foolish Heart
The Church in the Wildwood
God Didn't Promise Roses
Precious Memories
It Is No Secret
A Whispered Prayer
Listen to the Warning
Leaning on the Everlasting Arms
I Will Never Be Alone Anymore
Softly and Tenderly
(Christian Faith 1373; Alma Recordings Inc., Northridge CA, 1962-ish)
Lee
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