A Pears' Soap ad from the May, 1883 issue of the children's magazine, Wide Awake, which I scanned from my copy. Yikes. What can I say? (Besides "Yikes," I mean.)
Pears' Soap is still around, but it gets really bad customer reviews on Amazon. Anyway, it's a buck a bar at Dollar Tree, which is a better deal than any of the eBay (!) offers I'm looking at.
Or you can always get it from your nearest leading druggist.
And here are two different versions of the same ad.
Sunday, August 07, 2016
Monday, July 04, 2016
Happy Fourth! The charming image above comes from around 1900, when child safety was clearly the first thing on everyone's mind. In the 1870s, families put on firework displays in their parlor ("Papa, are the curtains supposed to be lighting up?"); by 1900, the ritual had been simplified to handing a firecracker to the nearest toddler and saying, "Go outside and have a blast." Surviving childhood was made that much harder....
This would have been up earlier, but we had a Fourth of July cat emergency with Gomez, who is experiencing urethral spasms and whose pee was backed up in his bladder (along with much glucose--Gomez might be diabetic). The nearest emergency vet clinic is one county away, so it was a bit of a drive, though not as much as we expected. Of course, finding a clinic open on the Fourth was a blessing, and the vet was quite cool--she packed Gomez with meds, and the big guy is doing better. We were told he would be counting sheep most of the day, but he's fully awake--and looking much less pained.
And, as usual, we have some old, old records to share for this Fourth of July, spanning the years 1901 to 1944. Seventy-eights, all, and all ripped and burned by me from my shellac collection.
"Harry will play the Maple Leaf Rag, and I might add that he puts plenty of English on it."--J.M. Witten. The contrast between Witten's over-enunciating and Harry Snodgrass' ultra-fast, go-for-broke playing is pretty surreal (second to last title in our playlist, from 1926). Missed chords, failed jumps, wrong-note passages aside, Snodgrass' playing is amazing. Simply being able to play the thing at that tempo is impressive, even if a greater number of correct notes would have made it even more so. It's certainly entertaining. Was Joplin's ghost sitting in on the session, pleading "Slow down! Slow down!" to no avail?
My Maple Leaf Rag copy is in G- condition, at best, but MAGIX Audio Cleaning Lab MX was up to the task. All I did was set the filters and take out about 200 clicks, one at a time.
Happy Fourth! Wait, I already said that....
To the music: July Fourth, 2016
The Arkansaw Traveler (Descriptive)--Harry Spencer, talking; prob. Charles D'Almaine, fiddle, 1901.
Original Jigs and Reels--George Stehl, Violin Solo w. Orch., 1910.
Home, Sweet Home (Payne)--George Alexander, Baritone Solo w. Orch., 1906.
Reuben and Cynthia--"Miss Morgan and Mr. Stanley" (from announcement), 1903.
Swanee (Caesar-Gershwin)--Peerless Quartet, 1920.
The Arkansaw Traveler--Len Spencer, Speciality w. Violin, 1908.
Medley of American National Airs--George Schweinfest, piccolo, 1901.
The Banjo (Gottschalk)--Boston Pops Orch., c. Arthur Fiedler, 1944.
Maple Leaf Rag (Joplin)--Harry Snodgrass (King of the Ivories), 1926.
My Bonnie Lies Over the Ocean--Leake County Revelers, 1927.
Sunday, June 26, 2016
Some great country gospel from the late 1920s, a 1912 recording of Will the Circle Be Unbroken by the Scottish gospel singer William MacEwan, and so much more in today's--er, tonight's--Sunday gospel playlist.
Our opening track--The Deal Family's Be a Daniel, from 1927--is one I'll definitely have to research, because it's not the famous Philip P. Bliss song but another tune and text entirely. Maybe I have it someplace in my 5,000 hymnals. (Okay--300.) A total mystery. And I love this style of family gospel harmonizing. Believe it or not, this sort of singing continued into the 1970s, and maybe beyond.
William MacEwan's Will the Circle Be Unbroken (he's "William McEwan" on my American Columbia issues) appears to be the first-ever recording of this great Charles H. Gabriel gospel number, written in 1907. A quite popular Scottish gospel singer, MacEwan sang in a style that can only be described as... let's say, the opposite of the Carter Family approach. William sang with much passion and verve, not to mention enough vibrato for any four vocalists. I love his over the top approach, though, judging from comments received at earlier MacEwan posts, not everyone may agree.
Onward, Christian Soldiers features a text by Sabine Baring-Gould (1865) and music by Arthur Sullivan (of Gilbert and Sullivan fame, 1871). You may have heard this one before, someplace.
As for the Gid Tanner two-fer, Don't You Hear Jerusalem Moan and Alabama Jubilee, these two sort of go together, even if Jubilee is hardly known as a religious number. Jerusalem--a bluegrass standard, but, as far as I know, originally a black spiritual--makes fun of Christian hypocrites (at least in the African-American text), while Jubilee makes fun of black religious (?) gatherings, and in the racist fashion we'd expect from a 1915 hit. One's the real thing, and the other is a play on the real thing; over time, the two tend to mix in historical memory. If my copy sounds pretty beat, it's because it is.
And here's a lengthy Wikipedia entry on Phillips Lord, whose 78s sound like those of a radio personality, most likely because he was one. In some ways, he was the Garrison Keillor of his day. "Fake home-spun" we could call his genre. I could, anyway. And I have a theory that family radio dramas evolved from stage presentations, because, after all, radio in its early days incorporated all types of contemporary entertainment forms (just as TV did in the late 1940s).
And I know nothing about the Bush Brothers, except that they made interesting gospel sides.
Click here to hear: When the Gates of Glory Open
Be a Daniel--The Deal Family, 1927.
Working and Singing--The Deal Family, 1927.
Will the Circle Be Unbroken (Habershon-Gabriel)--William MacEwan, 1912.
Onward, Christian Soldiers (Baring-Gould-Sullivan)--Victor Mixed Chorus, with Orch., 1928.
Don't You Hear Jerusalem Moan--Gid Tanner & His Skillet-Lickers, w. Riley Puckett, 1926.
Alabama Jubilee (Cobb-Yellen)--Same, 1926.
Sunday Evening at Seth Parker's--Gathering with the Lord Today--Phillips Lord and Co, 1929.
Sunday Evening at Seth Parker's--Jesus Is My Neighbor--Same, 1929.
On the Glory Road--Bush Brothers, 1928.
When the Gates of Glory Open--Same, 1928.
Ripped from 78s in my collection with MAGIX Audio Cleaning Lab MX.
Thursday, June 23, 2016
Yes, we're coming up on July 4th (at least, the local TV stations are already booming about the local event called Red, White, and Ka-Boom!!--I mean, Boom!!), but it's never too late to honor Memorial Day, and here are two Twenties sides that do so beautifully. They are Vernon Dalhart's 1925 recording of Unknown Soldier's Grave, and Raymond Newell and Ion Swinley's elaborate 1929 rendition (with sound effects and actors) of the 1904 anti-war art song, The Trumpeter (J. Francis Barron--J. Airlie Dix).
John McCormack did a wonderful Trumpeter recording, too, but I don't have a rip ready. Reason: it's hiding out of sight someplace in my 12" 78 rows.
Both were ripped with (you guessed it) my new 3.5 mil 78 stylus, and The Trumpet, in particular, benefits from the improved tracking.
Memorial Day 2016.
(The sections of The Trumpeter are as follows:
b) The Battle
c) The Roll Call