A number of technical glitches when preparing this slaylist--evil forces working to ruin my Halloween-blogging plans, no doubt But I chanted some magic words over my ceramic Frankenstein-monster-and-pumpkin planter (? shown above), and I seem to have expelled the demons (or anti-demons?) at play. But not before having my first MAGIX "project" (of 20-plus tracks) vanish on me. Crud.
Elsa Lanchester for Halloween? If only for her portrayal of the Frankenstein monster's bride, yes. But we'll hear two 1957 numbers from her act at Hollywood's Turnabout Theatre, shortly after the closing of that establishment. Forman Brown's Never Go Walking Out Without Your Hat Pin may or may not be a period song adapted by the songwriter--it certainly sounds "period." It's all about a hat pin as a defense against unrequested sexual attention--and there's also the implication that the pin can function as a reminder to young lower-class British women of the virtue of protecting their "you know what." At the close, we discover that, had her mother remembered to carry a hat pin, the singer wouldn't have been born. Yikes. Those reserved Brits sure have a talent for bold, frank (not to mention dark) humor. The Ratcatchers Daughter (which I incorrectly tagged as The Ratchcatchers Song--sorry!) is described as a "London Street Song," and a rough one, too. Even though the fidelity is adequate for both numbers, I suggest headphone listening--if you want to make out all the lyrics, that is. The numbers are introduced in a dry, ready-to-burst-out-laughing fashion by Elsa's husband, Charles Laughton (whose sole directing job, 1955's Night of the Hunter, is a perfect Halloween flick. Which is probably why it's not on TCM's October schedule).
Sterling Holloway's Sweeney Todd the Barber is more typical music-hall material, though with the same level of dark humor. Recorded in 1957, far as I can determine, though released in the U.S. (on Columbia Masterworks) in 1958. And the Village Stompers' Haunted House Blues is a spooky-in-title-only number, but still fun. Of course, I was hoping for something more traditionally Halloween. A few screams, or at least a low-pitched "Buwa-ha-haaaa!"
The Dramatic Cue and Mood Music "suite" was edited by me from the above Elektra LP. I assembled a number of season-appropriate cues into a single file, and it flows amazingly well (I was expecting lesser results). The LP has seen better plays, but VinylStudio's declicker filter did an amazing job, as usual.
Two Funeral March of a Marionette (aka Alfred Hitchcock Presents) offerings: An excellent and just-right 1956 pipe organ performance by Ray Bohr, and a fine, swinging 1959 interpretation by Ralph Marterie and the Marlboro Men. (What Halloween is complete without Ralph and the Marlboro Men?) And, courtesy of the famous voice actor Paul Frees (Solomon Hersh Frees), we have "Boris Karloff" crooning the Bacharach-David The Look of Love, and "Bela Lugosi" with Games People Play. And some moody--if marginally-Halloween--1961 titles on Enoch Light's Command label (Grand Award Record Co.): Strange Interlude and Witching Hour. I was hoping the latter would have a more foreboding sound, but it's effective enough, and the highly precise Command-style stereo is fun.
In addition, my favorite Douglas Byng track of all: 1963's I'm a Mummy. A brilliant cabaret performer, known for appearing in drag, and of course at a time when it was very not safe to come out of the closet. A situation to which we never want to return. Douglas was a comic genius, which is all that matters.
Gene Moss, the voice of Smokey Bear from 1992–2002, provides two song parodies as "Dracula": I Want to Bite Your Hand and Frankenstein (Clementine), both from the 1964 RCA LP, Dracula's Greatest Hits. And I confess to a love for Mantovani's music--including this dreamy 1969 arrangement of Robert Colbert's famous Quentin's Theme (from the 1960s Gothic soap, Dark Shadows). Just part of my high regard for expertly arranged and performed mood/background/"EZ" fare. The collectable value of most mood music, of course, is slim to none.
My rip of David Rose's Forbidden Planet comes from the 1957 MGM Music From Motion Pictures LP (speaking of superior mood music), but I cheated by swiping the Discogs image of the picture sleeve that came with the single. Rose was hired to compose that film's soundtrack, but his music was ditched for the very cool (I think so; not everyone does) electronic background. So, is this the actual title music Rose composed? Or an original recording thereof? I do not know. But it's excellent stuff.
Look Out for the Batman, courtesy of (who else?) Synthetic Plastics Co., is a mess of a knockoff rushed to market during the 1966 Adam West/Batman craze, but I love it to death. I even love the recorded-in-another-room quality of the drums. And Batman is a permanent part of my Halloween memory, if only because I went to school as Batman that year--complete with cape and mask. Even at 9, I recognized the set as non-brand, but it was cool, anyway.
DOWNLOAD: Halloween 2024, Part 1
SLAYLIST
Sweeney Todd the Barber--Stanley Holloway, 1957
Dramatic Cue and Mood Music-suite, 1964
Quentin's Theme--Mantovani, 1969
I Want to Bite Your Hand--Dracula (Gene Moss), 1964
Alfred Hitchcock Presents--Ralph Marterie and the Marlboro Men, 1959
Frankenstein (Clementine)--Dracula (Gene Moss), 1964
Blue Ghost--Tommy Roe, Jordanaires, 1962
Trick or Treat (Ferde Grofe)--Andre Kostelanetz and His Orch., 1976
Ghost Town--Don Cherry With Ray Conniff Orch. and Chorus, 1956
March of the Marionettes--Ray Bohr, pipe organ, 1956
Haunted House Blues--The Village Stompers, 1964
I'm a Mummy--Douglas Byng, piano: Alan Leigh, 1963
Strange Interlude--Lew Davies and His Orch., 1961
The Witching Hour--Same, 1961
Never Go Walking Out Without Your Hat Pin--Elsa Lanchester, intro: Charles Laughton, 1957
The Ratcatcher's Daughter--Same
Forbidden Planet (Rose)--David Rose and His Orchestra, 1957?
The Look of Love--Paul Frees as Boris Karloff, 1970.
Games People Play--Paul Frees as Bela Lugosi, 1970.
Look Out for the Batman--The Merriettes, 1966
Lee
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