From the crypt they crept: Left) Frankie, looking as green as ever; (right) some grave-looking dude in a less hairy state than we last saw him; and (middle) the toothy Brit Braincase III, who has had enough of people calling him "Yorick." "Call me Bonehead, call me whatever you like, but the 'Yorick' stuff stopped being funny after the first couple hundred times," he says.
Together, they are Males from the Crypt. No one knows what their act consists of. "Neither do we, actually," reports the trio's leader (right).
It's always a problem when you get a line-up and snazzy name, but you forgot to form an act. (Awkward Segue Alert): But now we'll be hearing from twelve artists who, um... who certainly had their acts together, yes sir. And, lucky for us, they had recording contracts.
Here's the link: Halloween Instrumentals, Part 2, and line-up:
(All ripped from shellac and vinyl in my collection)
Devil's March (von Suppe)--Arthur Pryor's Band, 1910.
Swamp Fire (Mooney)--Andre Kostelanetz Conducts, 1938.
Heinzelmannchens Wachtparade (Kurt Noack)--Polydor Brass Band Orch., prob. 1928.
Dance of the Potted Puppet (Morant)--Ambrose and His Orch., 1947.
The Haunted Ballroom (Toye)--Kingsway Symphony Orch., c. Camarata, 1947,
The Ghost of the Violin--Two-Step--Prince's Band, 1913.
Polka from "The Age of Gold" (Shostakovich)--RCA Symphony Orch., c. Fred Fradkin
Grand Canyon Suite (Grofe)--Cloudburst--Paul Whiteman Concert Orch., 1932.
March of the Gnomes (Rebikoff)--RCA Victor Orch., c. Ardon Cornwell
Theme from Man of a Thousand Faces--Wayne King Orch., 1958.
Snake Hips (Spencer Williams)--The Original Memphis Five, 1923.
Spellbound (Rozsa)--Lewis Davies and His Orch., 1961
Devil's March has a great Halloween-sounding title, even if the music itself is less spooky than the theme to Hogan's Heroes. Catchy side, though! Swamp Fire is more like it--sinister, though in a swingy way. (Swingy way?) Kurt Noack's cheerful 1912 hit, Brownies' Guard Parade, is still being performed--on YouTube, at least--and it's a lot of fun, even if it suggests Halloween less than, say, Devil's March. And, as I listen to it, I hear that I failed to edit out all the clicks--something for me to obsess over. Anyway, fabulous Polydor/Deutsche Grammophon label fidelity for 1928, which I'm guessing was the recording year.
Ghost of the Violin is a repeat from last year's "Haunted Gramophone" posts, but this is a new, better rip, while The Haunted Ballroom (sorry for the rough spots in an otherwise great pressing) is taking its first bow. Very charming number, though only about as Halloween in sound as, say, Brownie's Grand Parade. (Is a pattern emerging here?)
Really, the only scary-sounding number in this set is Miklos Rozsa's Spellbound, and it's only eerie in patches. I guess we can consider this post music for a cheery Halloween....