Sunday, April 14, 2019

Sunday morning gospel: Songs of Inspiration--The Harry Simeone Chorale (Mercury MG 20945; 1964)







For a while, I've been wanting to post some inspirational songs for my Sunday Morning Gospel series, which would seem to be what I've been doing all along.  But "inspirational" is a specific genre, even if precisely defining that genre is next to impossible.  "Inspirational" (which I'm using as a noun, a la Classical, easy, and "house") includes things like Climb Ev'ry Mountain (in this list), You'll Never Walk Alone (not in this list), He (in this list), and One God (not in this list, though I wish it was).  Inspirational numbers can be religious--or not.  They might simply feature lyrics about the power of hope, or the importance of not giving up hope.  They might be pop numbers of a religious type that simply don't have the right hymnal sound (too solo, not things for congregational singing).  Or numbers which don't fit into a gospel concert set, style-wise.  The 1868 classic Whispering Hope, which appears here, is a perfect example of an orphan/orphaned inspirational song.  Highly effective as a duet, but nothing a congregation would tackle, it's not to be found in many hymnals or sacred songbooks--nearly none, in my collecting experience.  It's more a sheet music staple.  And in modern churches, solos are likely to be of the "praise" type, and they're likely to have a solid beat.  Whispering Hope is a slow, slow waltz.  I suppose it's remotely possible the number was blacklisted in some fashion over the many decades because its composer, Septimus Winner, also wrote Listen to the Mocking Bird, but I'm getting silly.  (Getting?)  I think it's simply one of the many "off" numbers in the sacred playlist.  It doesn't fit in with the rest in a conventional way, and so it becomes an "inspirational" standard.  "Inspirational" is pretty much the "Other" file for sacred or almost-sacred music.

I'm trusting that made sense.

The track listing on this 1964 Harry Simeone Chorale album mostly passes muster, with two big exceptions.  The first: This Ole House.  That song is inspirational, how?  It's a country comedy number.  Sure, its composer, the highly gifted Stuart Hamblen, wrote any number of very good (if sometimes pretty corny) sacred numbers, but This Ole House?  The second: Battle Hymn of the Republic.  It's a hymn, and one hundred percent so, and not simply because it has "hymn" in its title.  So it's not "inspirational"--it's flat-out religious.  And, as the last track on side 1, it ruins the relaxed and thoughtful mood established up to that point.  It was probably programmed by the same guy who decided This Ole House was "inspirational."  But, despite these two glaring slip-ups, this collection succeeds quite well as an example of (Adjective-as-Noun Alert) inspirational.

Harry Simeone may not have been the exactly right person for an LP of (remember--we're using it as a noun) "inspirational," since this material is supposed to put one in the mood to contemplate deep spiritual matters, not to tap your toes, but I like the lively aspect.  Yes, there are some slow numbers here, but even those have the usual Simeone nervous energy.  This kind of material is easily tuned out when presented in too mellow a fashion, and Simeone was not someone to allow the listener that option.

Oh, and Harry did the usual trick of replacing the author/composer credit on the public domain numbers with "Adapted & arranged by Harry Simeone."  MY(P)WHAE frowns on that tactic.  I restored those credits in the track listing.  What Mercury puts on its own labels is its own business.




LINK:  Songs of Inspiration--Harry Simeone Chorale (1964)






(There'll Be) Peace in the Valley (For Me) (Dorsey)
One Little Candle
No Man Is an Island
It Is No Secret (What God Can Do) (Hamblen)
Climb Ev'ry Mountain (Rodgers-Hammerstein II)
Battle Hymn of the Republic (Ward)
I Believe
Whispering Hope (Septimus Winner)
He
The Bells of St. Mary's
Walk Hand in Hand
This Ole House (Hamblen)

Songs of Inspiration--The Harry Simeone Chorale (Mercury MG 20945; 1964)



Lee

13 comments:

Buster said...

Any time I see the song "One Little Candle" I am taken back to my childhood, when I would watch the Christophers on early morning television. That was the 50s, which was the heyday of inspirational records, of which this is a late example. I am thinking, in my own collection, of the "He" LP on Coral, I believe it was, of the Jane Russell-Beryl Davis-Connie Haines "The Magic of Believing," and so many more. Now, some of these were more religious than inspirational, but the genres tend to overlap, as the Simeone record demonstrates.

Although "This Ole House" is usually presented up-tempo, I have always considered it a religious song, with the "house" just being a metaphor for the old body being "ready to meet the saints." Admittedly, it does not work perfectly with the lyrics, but I suspect that is what was in Stuart Hamblen's mind when he wrote the words.

Anyway, thanks for Harry Simeone!

Lee Hartsfeld said...

My pleasure! Yes, the 50s was a boom period for inspirational songs, but I would argue it wasn't the primary one--that would be more like the Ira Sankey period of the 1870s, and extending through the 1910s, when religious songs were just another part of the hit parade. Many of those songs were sort of semi-gospel: the hugely popular "Brighten the Corner Where You Are," "Beyond the Sunset," etc. And there were any number of social-gospel songs, like "Pictures from Life's Other Side" and, of course, the temperance tunes, which people don't understand today because they don't realize the extent to which alcohol was literally destroying families and leaving wives and kids in the streets. That stuff was really happening. As for the 50s, I think it's quite possible that numbers like "He" and "Open up Your Heart" were a response to the postwar "secular" movement to take faith out of public life. And, yes, there was such a movement. My side (the left) denies this with a passion, but we're not fooling anyone. It's as if we're the last people to know what we're doing. I guess it's a type of denial.

Anyway, here I am, over-analyzing. Or, as I call it, analyzing.

Buster said...

I'm sure you're right. The 50s are usually considered the heyday of blandly middle-class culture, but there were strong secularizing currents underway. At the same time, there was a palpable anxiety about the future, and one of its many consequences was a resurgence of faith as a bulwark against those fears.

gimpiero said...

Great Album|

A man for whom Christ died said...

Lee,
Have you ever heard the original Stewart Hamblin (sp) version of This Ol' House? He originally recorded it a lot slower/subdued, but according to a story (and the song) he released later, the record company wouldn't have it that way, so it was recorded faster/lively. The story also says, he came upon this old cabin, while out hunting one day, with the hound dog showing him where an old dead man lay (didn't mean to make that rhyme). Other factors (a toy wagon found under the porch, curtains on the windows, etc), filled in the rest of the song's details. I believe said story/song is on a Benson (sp) recording.

Romans 11:33-36 KJB

Josh
Podcast: http://www.jeremiah616.sermon.net
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Lee Hartsfeld said...

I used to have the Hamblen original on an RCA EP. Don't think I still have it, though. I really liked it. Do you mean RCA made him redo it faster or that they manipulated the recording?

Never heard the later version. Sounds great!

A man for whom Christ died said...

Lee,
They made him redo it and the later version (which is the original cut) had the story with it, although I wonder, are you saying the original (slower) version was on the EP you had? The last time I heard that cut (which included the story and song), it was in fake stereo, so it may have been issued a couple times after the fact.

Romans 11:33-36 KJB

Josh
Podcast: http://www.jeremiah616.sermon.net
Callcast: (563) 999-3967
Blog: http://www.brojoshowens.wordpress.com
Google Group: http://groups.google.com/forum/#!forum/preacher-friends

Lee Hartsfeld said...

Yes, the original 1954 version was on the EP, along with other RCA hits from that year. I can't find a listing for the EP at Discogs or 45cat, unfortunately. However, 45cat's Hamblen discography shows a promo-only issue of the 1954 RCA "This Ole House" single with a flip side called "(The Inspiring Story Behind) This Ole House." How about that! That title was only available on the promo. The regular issue had "When My Lord Picks up the Phone" as the flip side.

Lee Hartsfeld said...

Josh,

I just looked on eBay, and someone is selling the promo 45 for $50!

A man for whom Christ died said...

So, are you saying that, the promo record had the slower version with story? Interestin'!

Romans 11:33-36 KJB

Josh
Podcast: http://www.jeremiah616.sermon.net
Callcast: (563) 999-3967
Blog: http://www.brojoshowens.wordpress.com
Google Group: http://groups.google.com/forum/#!forum/preacher-friends

Lee Hartsfeld said...

I'm annoyed at myself for not keeping it. And a little surprised it doesn't show up on line. I don't remember who the other artists were. It was a hit sampler. I'll run into it again sometime, hopefully!

A man for whom Christ died said...

Just saw the eBay comment, don't think I'll be swiping the card for thatun today!

Romans 11:33-36 KJB

Josh
Podcast: http://www.jeremiah616.sermon.net
Callcast: (563) 999-3967
Blog: http://www.brojoshowens.wordpress.com
Google Group: http://groups.google.com/forum/#!forum/preacher-friends

A man for whom Christ died said...

Here's the story, via Youtube.

https://www.youtube.com/watch?v=JNzcGxl5nk8

Romans 11:33-36 KJB

Josh
Podcast: http://www.jeremiah616.sermon.net
Callcast: (563) 999-3967
Blog: http://www.brojoshowens.wordpress.com
Google Group: http://groups.google.com/forum/#!forum/preacher-friends