Sunday, January 17, 2021

The Now Generation--Hits Are Our Business (1970)

 



From the notes: "The Now Generation contributes their winning ways to the tremendous versatility of the group."  Someone must have won the 1970 Filling Space with Words Award for that.

Now, the big question: Is that Jimmy Buffett on the far right?  Does he appear on several songs?  So claims the Discogs entry for this album.  And, at a well-known record forum, one poster asserts that Jimmy was "involved in a covers-only band called the Now Generation circa 1969."  At eBay, Jimmy is the selling point for LPs by this group.  

So, was Jimmy a member of this group?  I'm guessing absolutely not.  I'm basing my guess on simple logic--The Now Generation, in this case, was completely made up.  Therefore, Jimmy could not have been part of it, because there was no group to be part of.  There were groups named The Now Generation, but this wasn't one of them.  No, this LP is clearly the usual Spar Records tomfoolery.  Spar was the parent company of Hit Records, Modern Sound, and Top Pop Hits, among other cheapo labels, and much of Spar's output consisted of fake hits.  I sound-compared three of these to their original 1965 and 1966 versions--they match, exactly--and the six then-current tracks (Down on the Corner, etc.) all appeared in 45 rpm form on Spar's Top Pop Hits label, credited to Hit Records holdovers like The Jalopy Five, The Chords, Kathy Shannon, and Bobby Sims.  There's no consistency in sound or style, and even if this was a covers band, there'd be some sameness in those areas, and there isn't.

Spar's Now Generation LPs all feature a mix of then-current tracks with older numbers, a sure sign that Spar was raiding its vaults in order to get the maximum mileage from its holdings.  Similarly, Spar's umpteen Hit Records/Modern Sound LPs of the 1960s were almost randomly tossed together, with the same tracks appearing on multiple LPs--which is to say, Spar was following the standard cheap-label pattern. Some of the overlapping could have been accidental, given that quality control was a thing of zero concern to the cheapies.

So, am I insulting the music here?  Not at all--these are all competent fakes, and most are quite fun.  The quality is a little surprising, since this company put out its share of dreadful sound-alikes (its Beach Boys and Jan and Dean fakes were especially terrible).  But today's tracks all fall someplace between okay and not bad, and much of the fun here lies in the weirdness of the line-up--Down on the Corner, Honky Tonk Women, and... It Must Be Him??  These Boots Are Meant for Walking and Wooly Bully are strange enough choices, "now generation"-wise, but Vikki Carr's comedy classic It Must Be Him is so utterly non-"now generation," we have to wonder why Spar didn't add Strangers in the Night.  (Likely, Spar never did that one.  Too bad--it's one of my Boomer guilty pleasures.)  I should note that, back in the day, anything that hit the pop Top 40 was played on AM radio--it could be Dean Martin followed by the Stones.  A surprising number of "older" pop stars hit the charts in the 1960s--the Beatles and Barbra Streisand played side by side (but not together).  When People was being played every five minutes on Top 40 radio (I was 6 or 7), I remember drawing a cartoon in which a character was grooving to the rock hits of the time, only to toss the radio out the window when Barbra came on: "People, People who need people. (CRASH!!)"

Here is the Now Generation.  Hits were their business.  Making them under multiple aliases was their game.  On the mp3 tags, I included the names of the groups and singers credited on the 45 rpm releases.  Many of those names are fake, too, but at least I'm giving you the authentic fake names, so to speak.  

Now for the Time Generation.  I mean, time for the Now Generation...



DOWNLOAD: The Now Generation--Hits Are Our Business (Spar Records 4807; 1970)






Lee

32 comments:

Buster said...

I had to look up It Must Be Him because I had it in my head that it was one of those overwrought French songs of the period. It was - Gilbert Becaud. Those type of tunes were in fashion at the time.

Say, wasn’t Jimmy Buffett in that Niw Generation group?

Lee Hartsfeld said...

Buster,

Jimmy... who? Never heard of him. And, when I was typing out the song credits, it didn't occur to me that "Becaud" was Gilbert Becaud. It didn't click...

Ernie said...

I think about you every time I see one of those Modern Sound collections. And I see them a lot. :) Thanks for this one, Lee.

rntcj said...

Hi!

Thanx for this one. Presently listening to LP @ their Discogs page. As you say some "fun" covers. Any possibility of asking Jimmy himself to rectify the quandary? Contact through his webpage or Facebook?

Cheers!
Ciao! For now.
rntcj

Diane said...

A name like SPAR Records just begs you to argue over their output, doesn't it? What a crazy thing this is.

A man for whom Christ died said...

Lee,
I very much enjoy, just looking at your posts, even if I don't download the content, not my cup of tea, you understand. Thought I'd look at the comments, too and my ears perked up, when Spar Records was mentioned. Why, you might ask? Well, one of my favorite Bluegrass/Bluegrass Gospel singers/musicians, Carl Story, recorded at least one album for them LOL! Said album (the only one I know of, at present) is entitled, The Bluegrass Sound Of Carl Story and is different (to say the least) from his other efforts, IMHO, although of course, there are some similarities, such as his Bass player overmodulating. I will say though, this one (whoever he was) at least knew there are lower notes on that thang LOL! I kid you not, on one of his versions of Hiding Place (which I do like BTW), that Bassist goes waaaaaay to high on the G-string, for that e-flat, for comfort LOL! Enough of my rambling about two words LOL (wonder if there were two Spars), love and praying for y'all!

Romans 11:33-36 KJB

Josh
Podcast: http://www.jeremiah616.sermon.net
Callcast: (563) 999-3967
Blog: http://www.brojoshowens.wordpress.com
Google Group: http://groups.google.com/forum/#!forum/preacher-friends

A man for whom Christ died said...

HMMM, didn't know SOF was part of their group, interestin'. Tried to send you a link to the album on Ebay, but get a signin page, so no go there. I believe the number for the LP, is SP3000. I first heard the album via Jeremy Stevens' (sp) blog (probably still have the ZIP 'round here somewhere) and I do remember, one of the other cuts is, Action Speaks Louder Than Words. 'Til later, love and praying for y'all! P.S., Dueling Banjos, was first done by Arthur Smith and Don Reno, back in (I believe) 1955. Smith sewed over it, when Deliverance came out and won big-time, I believe.n

Romans 11:33-36 KJB

Josh
Podcast: http://www.jeremiah616.sermon.net
Callcast: (563) 999-3967
Blog: http://www.brojoshowens.wordpress.com
Google Group: http://groups.google.com/forum/#!forum/preacher-friends

Lee Hartsfeld said...

Josh,

I never noticed that in regard to the bass on Carl's sides. I'd love to find that LP sometime! 1966, I see at Discogs. One of the LP's tracks, "Mocking Banjo," is of course better known as "Dueling Banjos." Carl also recorded "Mocking Banjo" for Mercury. LP-wise, I have Carl on Starday and (one LP) on Mercury. I have a number of gospel LPs on Spar's Songs of Faith label--Sego Bros. and Naomi, etc. Discgos, which does an inept job when it comes to label info, only indirectly identifies Songs of Faith as part of the Spar Family. Never mind that the jackets in the Spar family all have the same general look, including the exact same lettering. For example, I instantly recognized the Now Generation LP as a Hit Records/Spar product.

Diane, Great pun! And the Jimmy Buffett claim takes us into the realm of Probability 101. Namely, we take what we know about the Spar label group--that much of its output consisted of fake hits, and that it routinely made up names for its artists, some of whom were moonlighting pros. The burden of proof is pretty high for anyone who feels Spar would have abandoned normal procedure and formed an actual cover band called The Now Generation. And, if someone as major as Buffett had been involved with Spar, that fact would have been established long go, and it would be all over cyberspace. And it's not... I know you understand Probability 101, but tons of folks in cyberspace don't.

Ernie,

I don't see them as often as I'd like, but maybe that's because the local thrift scene isn't anything like what it used to be. I must have parted with at least 20 of these things over the years (back before I found much value in fake hits), but so it goes. Finding them in decent shape is the challenge, as with many common thrift LPs.

mycj,

I looked at Buffett's Facebook page, and, assuming it's actually him, he doesn't appear to answer people. I'm sure he doesn't have time. I would think I'd have a hard time contacting him. Plus, I find it highly unlikely that Buffett would have been involved with Spar, especially on a regular basis, and that this fact would not be firmly established. I find the probability unbelievably low.

Lee Hartsfeld said...

Josh,

I redid my response, which is why things are out of order! Here's the Discogs link to the Carl Story LP: https://www.discogs.com/Carl-Story-His-Rambling-Mountaineers-The-Bluegrass-Sound-Of-Carl-Story/release/12293316

Hm--I always assumed "Dueling Banjos" was just "Mocking Banjo," renamed. I'll have to check out the history. Thanks for that info!

Lee Hartsfeld said...

rntcj.

Sorry for getting your moniker wrong. I don't know where "mycj" came from!

A man for whom Christ died said...

Thanks Lee and here's a link to the album on Youtube.

https://www.youtube.com/watch?v=vJ-JOV3vBLA

Listening to the first few seconds of the first cut (but quiet though, Jess is trying to settle the baby LOL), maybe it isn't quite overmodulation (as in loud), maybe it should b said as, it's a little bass-heavy. I also find it kinda interesting that, on this album, some of the instrumental cuts, are (IMHO anyway) older ones, renamed, e.g., Wild Cat is a redone Black Mountain Rag, or as The Stanley Brothers did it with Chubby Anthony during their Jim Walter days, Black Mountain Blues. Oh and on Dueling Banjos, I believe Arthur Smith played a Tenor Banjo, while Don Reno played a Five-string and I thought everyone knew about Smith sewing LOL! 'Til later, love and praying for y'all!

Romans 11:33-36 KJB

Josh
Podcast: http://www.jeremiah616.sermon.net
Callcast: (563) 999-3967
Blog: http://www.brojoshowens.wordpress.com
Google Group: http://groups.google.com/forum/#!forum/preacher-friends

A man for whom Christ died said...

HMMM, in looking at the video I posted earlier, the guy who uploaded it says that, it's Spur and that it's from Canada, dunno. Also, re: Wild Cat, the bassist gets his one and three mixed up for a little while, maybe the whole song, can't tell, LOL, bless his heart. Oh and Lee, on the high-up bass on Hiding Place, it's on the version found on this album.

https://www.youtube.com/watch?v=QnCzqRUD46Y

Strange thing about that album, some of the cuts from it, are repackaged (even in the same order) on another album I have, insomuch that, I thought it was the same one, 'til I started comparing cuts, the other day. Oh and I have two versions of that album (the one I actually own, the other one), the monoral and fake sterrio. Oh and here's Feudin' Banjos, from Arthur Smith and Don Reno.

https://www.youtube.com/watch?v=TmMk9tsCjsc

I've rambled on enough, love and praying for y'all!



Romans 11:33-36 KJB

Josh
Podcast: http://www.jeremiah616.sermon.net
Callcast: (563) 999-3967
Blog: http://www.brojoshowens.wordpress.com
Google Group: http://groups.google.com/forum/#!forum/preacher-friends

Gilmarvinyl said...

Fantastic stuff, I love it!

rntcj said...

Hi!

F.A.I. rntcj = siblings' initials. Speaking of "Dueling Banjos" surprised no one has used in connection to the past president (does NOT deserve a capital) as in example:

Slow start to song use in beginning of Jan. 6 rally, as it speeds up show rally @ Capitol & faster using scenes of traitorous behaviours inside Capitol. Would be fun, eh?!

Cheers!
Ciao! For now.
rntcj

Lee Hartsfeld said...

Josh,

I see what you mean about the bass playing high! And that LP is pretty much in my DNA by now--my foster parents played it constantly (on the cassette I made for them). They had the fake stereo edition, if I recall. Anyway, Bev, an OSU English prof, drew my attention especially to "Tramp on the Street," which affected me profoundly. This LP, plus my own discoveries in early-1900s gospel songbooks, got me hooked on the "old songs." Story and the Chuck Wagon Gang were my introduction to bluegrass/country gospel, and I found (and still find) both of them amazing. "Feuding Banjos" is amazing! No wonder Smith sued. And, in case you haven't heard it, here's Carl Story's excellent lifting of the number from 1957--"Mocking Banjo."

https://www.youtube.com/watch?v=ijuRhDOp5VY&list=RDijuRhDOp5VY&start_radio=1

Gilmarvinyl,

Glad you enjoyed! I know it's a good find when you like it.

rntcj,

I can't say I disagree with you!

A man for whom Christ died said...

Lee,
Got my two renditions of the similar Carl Story album (not the one in the Youtube link, but one extremely close to it), while working at a station in Reidsville, NC and yes, I do enjoy it, especially the mono one LOL! How'd they get by with track listings so close anyway? Did you say Story recorded MB in '57? Tried to do a comparison of both cuts (the one in the link you send and the one from the Spar LP) and their are some differences, HMMMM. I've enjoyed Carl Story since I was a kid and I believe the first song that I heard from him was, Family Reunion, on a Bluegrass compilation tape, hooked ever since LOL! Of all the CWGs, I'd rather heard the "original" group, D.P. Carter and company. Of course, you know, they stol' that name from a country group on radio, when they left and that bunch of Carters took their slot/sponsor? The first recording where I actually recognized them, was a 78 my Pawpaw had, I Love My Saviour, Too/On The Jericho Road. Oh and on that bass playing, not only was that e-flat high, he had to go higher, for the f LOL! Rambled on enough, so 'til later, love and praying for y'all!

Romans 11:33-36 KJB

Josh
Podcast: http://www.jeremiah616.sermon.net
Callcast: (563) 999-3967
Blog: http://www.brojoshowens.wordpress.com
Google Group: http://groups.google.com/forum/#!forum/preacher-friends

Timmy said...

THIS album is great. (as opposed to the country album most comments here are about) I am however disappointed that they didn't include a cover version of "Helter Skelter".

Timmy said...

Oh, and by the way, that IS Captain Beefheart on the front cover, second from the left.

Lee Hartsfeld said...

Timmy,

Yes, a "Helter Skelter" fake would have been a perfect addition! Of course, that was slightly out of the LP's strange date ranges, which seemed to be 1965-1967 and 1969--no 1968. Then again, this assumes that an actual plan went into this.

Graham said...

Reading your post I was reminded of the story behind the Tax Scam album 'Hotgun' which became prominent a few years ago when three of the tracks on it were identified as the work of R. Stevie Moore, a well known proponent of Lo-Fi recording.

After some investigation it was found that the tracks had originated with a Nashville area studio which had sold those tapes and several others recorded for discount compilation albums to an agent for Guiness Records, one of several tax scam labels set up in the late 1970s.

There is a wikipedia page for the album which links to an online article focusing what was discovered about it.

https://en.wikipedia.org/wiki/Hotgun

Lee Hartsfeld said...

Graham,

Very interesting story! And highly relevant to this post. In addition to the Wikipedia piece, I just read Discog's entry on tax scam records--those are a new one on me, though I've often jokingly (?) described many budget efforts as tax write-off records. Fascinating story. Because G. Records operated out of Nashville, I did some quick checking to make sure they weren't in any way associated with Spar Records, but of course they're not. The late 1970s would be too late for Spar, anyway, but the parallels are spooky... Thanks!

HitRecordsofNashville said...

To answer the original question.. YES! Buffett does sing in the background vocals on two songs on this album. On the Come Together album that is Jimmy Buffett with the sunglasses on on the right hand side standing behind the blond. By his own admission, Buffett performs on two of the songs: Come Together and Leaving On A Jet Plane. He confirmed he sang on at least 4 sound-a-likes. On the Now Generation's Hits Are Our Business album, by his own admission, he sang on Hey Hey Na Na Kiss Him Goodbye and Down On The Corner. These four songs were current hits when recorded at the same session and split between these two albums which were issued at the same time as part of a three LP "sold on TV" offer. The third album in the package was the Now Generation self-titled album which contained all original songs. Buffett also appears on the cover of the Now Generation's Beatles Songbook album...but does not sing on any of the songs as it was issued before the Come Together album. The Now Generation was a studio group of singers, and Buffett was working as a writer for Billboard magazine's Nashville office.

Lee Hartsfeld said...

Many thanks for this information. To clarify, is Buffet on all of the original songs featured on the third LP? (Fascinating to learn that the three LPs were sold by mail.) My problem with The Now Generation is the number of tracks that were released as singles and credited to other artists, plus the many earlier Hit Records singles included on this particular album. I appreciate that Buffett participated on at least foru sound-alikes, but it is known for sure there was an actual group called the Now Generation? At Discogs, I saw some foreign CD reissues of the Now Generation which include very early material like "My Bonnie." Just wondering--many thanks for the data!

HitRecordsofNashville said...

Buffett was not a member of a band called The Now Generation. When Hit Records of Nashville (see that Facebook page) stopped making 45's of current hits and started issuing just LPs and 8 Tracks (remember those?) the name Now Generation was chosen for pop hits. The Nashville Country Jamboree named was used for country sound-a-likes. There was an actual reggae band, named The Now Generation and Somerset/Stereo-Fidelity issued one name of current hit sound-a-likes under that name. As far as we know Buffett only performed on the four songs previously mentioned. The reason for the made-up names on Hit Records singles as these were cut as session singers. Many of the singers had contracts with other companies under their own names. Buffett's first two albums on Barnaby were recorded at the Spar studio, using some of the same musicians, etc as on these albums.

Lee Hartsfeld said...

HRON,

Thanks for the clarification. I'd assumed all of these things, except I didn't know that Spar had become an LP-only entity at that point. I was mainly referring to various ridiculous on-line claims to the effect that The Now Generation was an actual cover band. Didn't mean to suggest that you had claimed any such thing! I will check out the Facebook page--thanks.

Lee Hartsfeld said...

HRON,

In fact, Discogs treats the Now Generation as an actual group, as opposed to a generic catch-all, a la The Toppers, The Four Jacks, et al. At any rate, thanks again for the info.

HitRecordsofNashville said...

Spar still issued 45s but they were original material, not sound-alikes. Maybe you need to change the Discogs page in indicate it's a studio group or various singers over the years. Jimmy Buffett's comments on the Tonight show about the Now Generation, may have led some Buffett fans to think it was a group.

Lee Hartsfeld said...

Yes, that page needs a correction. And thanks for the further clarification. I didn't know that Spar moved to original material. Learn something new every post! I just joined the FB page--very nice.

musicman1979 said...

Regardless of whether or not Jimmy Buffet actually sang on these records or not, this is another bang-up collection of soundalikes from those Soundalike Kings in Nashville.

I really like their take on "A Brand New Me". The female singer does not quite have Dusty Springfield's husky style, yet she does make the song her own with just a touch of late period Teresa Brewer-styled cuteness.

Another winner is their take on "Down on the Corner", which I actually prefer over the Creedence Clearwater Revival original. They did a good job capturing their musical sound and John Fogerty's vocal mannerisms.

They do a good job recreating the Stones'blue-rock style. However, the lead singer sounds like he is considerably younger than Mick Jagger and has not "been around the world and been through some things" that that legendary vocalist conveys in his singing. the Nashville country-rock stylings of the players brings to mind the kind of sound that would make the Eagles famous in the '70's.

Although he gets an effort, "Bobby Sims" just cannot quite capture B.J. Thomas' vocal mannerisms on his take of "Raindrops Keep Fallin' On My Head". Even though he was long-gone from the label by this point, there is a touch of Bobby Russell vocal influence in his vocals. The band, however, gets an A-plus for authentically recapturing Bacharach's original arrangement to a "T".

One of the best vocals on the tracks is on Steam's #1 hit. The singer sounds like Bobby Russell, Billy Joe Royal, and even Smokey Robinson together in one singer. The vibes and the percussion on this number is a nice touch.

The "Human Whistle" vocal effects that Hit used to re-create the opening of the Tymes "So Much In Love" in 1963 show up again on their cover of the Rascals "Groovin'". This is probably one of the few cuts on the album where the vocals and instrumentation are remarkably close to the original Young Rascals recording.

One of the best classics on this disc is their take on "Wooly Bully", one of the better "Jalopy Five" cuts that Hit released. The singers are slightly more melodic than the members of Sam the Sham and The Pharoahs. Great sax solo, too. Boots Randolph, maybe??

Sounds like it could be Connie Landers on "These Boots Are Made For Walking". Again, some slight changes in the instrumentation, and the Nashville players and singers give this song a much more "Country" music flavor than the famed musicians of Los Angeles' Wrecking Crew who played on the Nancy Sinatra original. There is even a touch of Kitty Wells' vocal style at the end of the number! The singer could have been miked a little better, though.

Overall, great stuff from the '60's soundalike headquarters in Nashville. Thanks for posting.

musicman1979 said...

I was in a used record store yesterday and I picked up a self-titled Now Generation LP on Spar for a dollar. Among the hits covered are the 5th Dimension's "Aquarius", the Edwin Hawkins' Singers "Oh Happy Day", the Beatles' "Get Back" Elvis' "In the Ghetto" and the Guess Who's "These Eyes". The cuts on this LP are all from the 1968-69 time period and there are no "golden oldies" from several years prior to use as filler.

HitRecordsofNashville said...

musicman 1979 says:"I really like their take on "A Brand New Me". The female singer does not quite have Dusty Springfield's husky style, yet she does make the song her own..."

The female singer on all the tracks is Ricky Page (and Terry Berg) who formerly lived in California and sung background on many hits. She was the "Crypt Kickers" on Monster Mash (Bobby Boris Pickett told me himself..though some folks try to credit Darlene Love)

musicman 1979 says: "Another winner is their take on "Down on the Corner." As I stated before Buffett sings in the background chorus.

Yes Boots Randolph is on Wooly Bully and some of the leads are by Bobby Russell.


musicman1979 said...

HitRecordsofNashville--Thanks for the recording session information! You are the best!!