On this not-so-chilly October evening, our second Halloween 2024 collection (which is why I call it "Halloween 2024, Pt. 2"--seems logical enough). We start out with a marvelous 1945 recording of Miklos Rozsa's Spellbound theme, which Camden credits to Harold Coates, though it's really conducted by the Ukrainian-born Alfred Goodman. The theme was famous for its use of the Theremin, and I think I hear a brief appearance of same on this recording, though my ears may be mistaken.
Until I figured out that "Harold Coates" was Al Goodman, my Google searches kept taking me back to Memorable Music From The Movies (shown above, with Jim Flora art). There was, in fact, a real Harold Coates, so I don't know if RCA's Camden label goofed, or if RCA was mad at Al, or what. The correct ID appears at a Miklos Rozsa page. However, no mystery in regard to Harry Lubin's One Step Beyond track, Weird, which is definitely by Lubin and very recognizably from that very show (One Step Beyond), where it was constantly used.
In fact, both Weird and the OSB title music were reworked into the second-season Outer Limits title music--unfortunately. Lubin's OL music hardly compared to Dominic Frontiere's amazing first-season offerings, but he did an uncharacteristically terrific job on the famous Demon With a Glass Hand ep, plus the score for my favorite second-year OL, The Duplicate Man. I wish Harry had worked at that level more often. At any rate, Lubin will always be known for the rather lame 1959-1961 OSB, a show hosted and directed by John Newland, allegedly featuring true (yeah, right) tales of the paranormal. Because I only knew Newland for OSB, I always figured the man was something less than a masterful horror director, and so I was stunned to discover he'd directed what might be the scariest episode of the Boris Karloff-hosted Thriller series, "Pigeons From Hell," along with some other genuinely excellent entries. He also directed the famous 1962 Bus Stop episode, "I Kiss Your Shadow," which Stephen King calls "the single most frightening story ever done on TV." At the moment, that ep is still up on YouTube, and it is quite creepy (hence, perfect for Halloween). But not quite the equal of Thriller eps like "Pigeons," "The Hungry Glass," or "The Cheaters."
And, courtesy of SPC's (Synthetic Plastics Co.) Promenade label, two budget knockoffs by John Logan: 1958's Dinner With Drac and The Witch Doctor. From SPC, also, is 1965's Saturday Evening Ghost, performed by Frankie Stein and His Ghouls. I can't believe I didn't hang on to my copy of the original LP version (which preceded this 1977 {?} Peter Pan EP release).
Rod McKuen's 1959 The Mummy features Bob McFadden and Dor (Rod), and is derived from a folk tale I know from childhood, which was featured in the same year's The Thing at the Foot of the Bed. My book copy is packed away at the moment, so I can't quote from the text, though it employs the same story formula, only minus any mummies.
And... three sides shared with me years back by my dear e-friend, the late Pete Grendysa, one of the leading R&B-history experts: Steve Gibson and the Red Caps doing their version of Charles Grean's The Thing (note that Grean recorded our version of Josette's Music Box); The Four Tunes' Ballad of James Dean; and Mr. Ghost Goes to Town, sung by the 5 Jones Boys. The Four Preps' The Sphinx Won't Tell and the Liverpool Five's The Snake are maybe titles you're not likely to hear elsewhere, but with all the recordings available on YouTube these days, who knows?
DOWNLOAD: Halloween 2024, Pt. 2
SLAYLIST
Spellbound (Rozsa)--Harold Coates (Al Goodman) and His Orch.; 1945
Weird (Harry Lubin, From "One Step Beyond")--Harry Lubin; 1960
Dinner With Drac--John Logan (Promenade; 1958)
Theme From "Man of a Thousand Faces"--Wayne King Orch.; 1958
Deserted Ballroom (Gould)--Morton Gould, piano; 1940
Funeral March (Chopin)--Mark Andrews, Pipe organ solo; 1928
Josette's Music Box (From "Dark Shadows")--The Charles Randolph Grean Sounde; 1970
Saturday Evening Ghost--Frankie Stein and His Ghouls; 1965
My Friend the Ghost--Jill Whitney; 1954
The H Man--Theatre Lobby Spot (Columbia Pictures; 1959)
Graveyard Blues--Earl Fuller's Rector Novelty Orch., 1918
Witch Doctor--John Logan (Promenade; 1958)
Hush... Hush, Sweet Charlotte--Al Martino, Orch. c. by Pete King; 1964
The Thing (Grean)--Steve Gibson and the Red Caps; 1950
The Quest for Bridey Hammerschlaugen--Steven Freberg, with June Foray; 1956
Ballad of James Dean--The Four Tunes; 1956
Mr. Ghost Goes to Town--The 5 Jones Boys; 1936
The Sphinx Won't Tell--The Four Preps; 1962
The Snake--The Liverpool Five; 1965
The Black Hole--End Title (Barry)--Andre Kostelanetz; 1980
Mountain King--Lawrence Welk and His Orchestral; 1961
The Addams Family--Frank De Vol; 1965
The Mummy (Rod McKuen)--Bob McFadden and Dor (Rod McKuen), 1959
Man From Mars--Ferrante and Teicher, 1956
Three Hauntovani Waltzes (Lee Hartsfeld)--Your blogger; 2010
9 comments:
Thanks, Lee! We can always depend on you for some eerie Halloween tunes. :)
Got some good ones in this batch Lee! The Mountain King from Lawrence Welk is one of my favorites from the Calcutta album; Frank Scott does a great job on the harpsichord on this selection, plus the introduction is a really unique one, especially for Welk. "The Mummy" is hilarious and goofy; In case you didn't figure it out, Dor is beatnik poet/singer Rod McKuen. Real Gone Music re-issued their album on colored vinyl this season, while a friend of mine over at the Songs of the '60's Facebook group frequently featured it on a segment of his radio show titled "Schlock Rock: Music You Love to Hate"
I don't know why you put "Hush Hush Sweet Charlotte" in this list of songs, but it is still a nice version. Patti Page did such a great job with this song in her original hit version in 1965; It could also be the connections to the movie; Bette Davis was known for doing all kinds of unique and occasionally scary, creepy characters in her movies.
I do know that Tommy Dorsey cut "My Friend the Ghost" for Bell Records and occasionally showed up on Coronet Records under his own name and by Eddie Maynard's. I'll have to listen to see if "Man From Mars" is the same selection that Artie Shaw recorded in the late-'30's.
https://www.youtube.com/watch?v=S0Hg1_KVm3Q
Never heard of the Sphinx Won't Tell, however it sounds like a natural for the Four Preps. And I will be on the lookout for that RCA Camden EP.
Ernie,
Sure! And I "dug up" a number of sides I presented way back when but which haven't seen the light (or, in this case, darkness) of blog for a while.
musicman1979,
"Charlotte" is usually regarded as a horror film (or is it?). Of course, the song hardly suggests the tone of the movie, but I find that fact ironic in an amusing way. A gentle love song for a woman who allegedly hacked her lover to pieces (though, in a predictable twist, she's proved to be innocent). That incongruity appeals to me. Re Rod McKuen, I knew that I guess I didn't make that clear in the text (but I note same in the listing). And I'd always hoped it was Rod doing the mummy's voice, but of course that's McFadden. I have that Coronet Dorsey LP, and there's also a revised version (for children) on the Wonderland Records "Puff the Magic Dragon) where it's not properly attributed. But it's Gordon Polk singing over the original background (which was clearly taped separately), with a splice near the end. The children's version omits any reference to alcohol, of course. When I was a kid, I recall that my intro to Tommy Dorsey was though the Bell singles, which were all over Salvation Army stores at the time. And I thought I'd read that Wonderland/A.A. Records had a connection to Bell, but apparently not.
And the F&T "Man From Mars" is definitely not the number played by Shaw! It sounds like something Art and Lou would have easily concocted within five minutes or so. Not a cut on the composition--it's just that I suspect F&T worked fast.
Phew, just in time! Thanks Lee.
rev.b,
Sure! And, this year, time just ran away from me, or whatever the cliché is. I didn't realize I was so close to the DEADline. (The one we use to talk to Bela Lugosi or Lon Chaney, Jr.)
I have checked other YouTube channels that feature classic music under three minutes in length almost exclusively and they are not listed under "Shorts", so I don't understand what was going on with your YouTube channel. I do hope you will get things resolved and post the Steve Marks "Wear My Ring Around Your Neck" as an individual song video.
I have the cover of that Palladium 18 Big Hit Recordings, however, inside I found a decent original copy of Alan Freed's Rock and Roll Party Volume One on Coral Records, so thanks for uploading a sample to your YouTube channel. Hopefully you will get the full album uploaded here, plus Biggest Hits of 58 Volume One, sometime after the holidays. Really like checking out your fake hits YouTube channel; every so often you post a version that is good or sometimes better than the original. Have a great Thanksgiving.
musicman1979,
You, too! And here's the scoop on YT's decision, which applies to any video uploaded post-Oct. 15, 2024:
"Videos uploaded after October 15, 2024: Any videos uploaded on or after this date with a square or vertical aspect ratio up to three minutes in length will be categorized as Shorts on YouTube." Meaning, starting 10/15, my video uploads were being converted to shorts.
musicman1979,
My source for the YT video-to-short policy, which has so far not proved to affect any uploads prior to 10/15/2024 (I was initially afraid it might be retroactive):
https://support.google.com/youtube/answer/15424877?hl=en#:~:text=Videos%20uploaded%20after%20October%2015,model%20from%20the%20Shorts%20Feed
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