One hour of 78 rpm goodies, all Santa-approved (you'll have to take my word). The Trinity Choir's 8/26/1926 Christmas Hymns and Carols, (I love it when that distinction is made) from a period when the "standard" hymns and carols had almost been codified. Exception: Christians, Awake, Salute the Happy Morn, which should be a standard carol-sing title, but which never quite entered that category. It's still performed, but more or less as an extra treat.
John McCormack is magnificent in both acoustical and electrical form, and we get his classic 1914 Ave Maria (with Fritz Kreisler, and in the Bach-Gounod setting I prefer) and a wonderful Oh Come, All Ye Faithful from 1926 (with the Trinity Choir sounding stronger and brighter than ever). But maybe the highlight of this sleighlist is the 1913 Prince's Orchestra Children's Symphony, aka Kindersinfonieand and Toy Symphony, which for a long time was falsely credited to "Haydn"--i.e., Joseph or Michael--but actually came from the pen of Benedictine monk Father Edmund Angerer (1740-1794). The chief challenge, performance-wise, is locating the original toys (or reasonable facsimiles thereof) for the sound effects. And we already know that Spike Jones was hardly the first person to expertly employ musical racket, but this circa-1770 piece really pushes the date back.
Plus, Nathaniel (aka, Nat) Shilkret directs the International Novelty Orchestra, with Sigmund Krumgold on pipe organ, in the all-time version of Leon Jessel's 1897 holiday masterpiece, Parade of the Wooden Soldiers. Recording date: 1/25/1928 (a month late!). But not before Collin H. Drigg's 1940 Novachord recording, very possibly arranged by Ferde Grofe. Says Wikipedia, the Novachord is "often considered the world's first commercial polyphonic synthesizer." I'll buy that. Er, I would, if I could afford one. (Or had a place to put it.)
Lillian Currie's Children's Toy March (Pince's Band, 1912) was presented at a faster clip in 1911 as part of the descriptive piece On a Christmas Morning. I see that I posted same at my Shellac City YouTube page in its Harmony label edition. Anyway, this more mellow rendition of the march has its charms...
Oh, and I always feel the need to note that "Adeste Fideles" is not "Fidelis," though we see that typo pretty often. Oh, and when I posted my YouTube upload of the Driggs 78 at Facebook, a number of synthesizer enthusiasts were more than slightly impressed. Synths have a longer history than we imagine.
And a non-shellac, non-78-rpm selection, 1958's God's Christmas Tree, ripped from my Columbia 45. How this got on the list, I don't know, but I never said I knew what I was doing.
The wonderful Richard Crooks 1933 performances are of two once-standard holiday concert numbers--Stephen Adam's The Star of Bethlehem and The Holy City. They may still be featured in England. The 1933 Red Seal RCA audio is nice.
And I just lost three hours of my life in the goal of finally, somehow, figuring out why OneDrive was not giving me a sharing link to this file. In the meantime, my MAGIX-exported FLAC files (I discovered I indeed have that option) somehow reverted to mp3s. And my brain is too fried to even start to attempt to figure out how that happened. (The letter couldn't been an operator-error event! I always reason best when I'm annoyed.
DOWNLOAD: Merry Shellacmas! (1912-1940).zip
Adeste Fideles (Oh Come, All Ye Faithful)--John McCormack, Trinity Choir, 1926
Christmas Hymns and Carols, Pts. I and II--Trinity Choir, Dir. Rosario Bourdon, 1926
Messiah--Hallelujah Chorus (Guess who?)--Same
Gloria from "Twelfth Mass" (Mozart)--Trinity Choir; pipe organ: Mark Andrews, 1926
Ave Maria (Bach-Gounod)--John McCormack, Fritz Kreisler, 1914
Parade of the Wooden Soldiers (Jessel)--Collins H. Driggs, Novachord solo, 1940
Parade of the Wooden Soliders (Jessel)--International Concert Orch. Dir. Shilkret; pipe organ: Sigmund Krumgold, 1928
Children's Symphony (Father Edmund Angerer)--Prince's Orch., 1913
Children's Toy March (Lillian Currie)--Prince's Band, 1912
Messiah--Hallelujah Chorus--Mark Andrews, Pipe Organ Solo, 1925
Babes in Toyland--March of the Toys--Victor Concert Orch., Dir. Nathaniel Shilkret, 1939
The Skaters--Waltz--International Concert Orch., Dir. Nathaniel Shilkret, 1926
The Star of Bethlehem--Richard Crooks, Orch. cond. John Barbirolli, 1933
The Holy City--Richard Crooks, Orch. cond. John Barbirolli, 1933
God's Christmas Tree--Southwest High School Choir, O.B. Dahle, 1958
Lee
7 comments:
Another fine compilation Lee! Much appreciated.
rev.b,
Thank you! I was glad to finally get it successfully linked following my (still not fully resolved) OneServe/Microsoft 365 hassle. I'm considering short updates on that situation, but I doubt they'd be very entertaining!
Thanks for the excellent Christmas music from antique platters. I could swear I left a comment the other day, but it seems to have evaporated into the ether(net).
I searched the Spam folder, in case it was misdirected there (happens pretty often). But, nothing. And, suddenly, Blogger informs me that I have turned off comment notification, which I did not do.
Doesn't matter. Could be my phone didn't connect right or something. Stranger things have happened. :)
What a great collection Lee! You have pulled such quality sound out of these recordings - truly appreciate the efforts! Over the years you have drawn my attention to Prince's Orchestra. Thank you for this sharing, and YouTube offerings.
-Steve in PA
Steve in PA,
Thank you! And Charles A. Prince (I think that was his full name--off the top of my head) was one of the major forces in light concert music, despite the received idea that lights music/"Pops" somehow started much later with Arthur Fiedler. Just as innovative, or probably more so, was the Victor Military Band, that Victor house band which, with some selections, presented arrangements that hugely anticipate big band/swing charts to come. The VMB's jazzier efforts have led me to the bold conclusion (or, at least, speculation) that jazz originated in a big band form. In other words, that it began as such, as opposed to evolving TOWARD such a form. And Prince's Band and Orchestra demonstrate, along with other concert bands of that period, that the "Pops" genre has a much longer history than we think.
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