For the sake of alliteration, I should have called this post "More Memorable Mono Media," but the "more" is kind of ambiguous, so "Part 2" it is. And my favorite track of the bunch, the Mike Pedicin Quintet's version of Shake a Hand! (played in fast tempo, unlike the Faye Adams and Elvis versions) presented restoration challenges, since someone at some point point must have played it with a bent needle. Here's the VinylStudio display, complete with numerous splices, about 19 in all:
We move on to Angel of Love, an almost-rock-and-roll number rendered by the superb Four Voices, co-written by Fred (Big Ten Inch Record) Weismantel, and featuring brilliant work by tenor Allan Chase, who unfortunately failed to launch a successful solo career at Columbia. The Four Voices were the all-time perfect pop-vocal/doo-wop hybrid of the 1950s, and it's a shame they weren't encouraged to record more sides like this one and their one big hit, Lovely One (the remake of which I previously featured). Then, C&W/r&r with Pee Wee King--the 1956 Ballroom Baby, followed by the Ray Charles Singers with Al-Di-La (one of my all-time favorite singles), Ronnie Hawkins with a 1959 retitling of Chuck Berry's Thirty Days (adding ten days for Forty Days), and then Steve Lawrence in teen-pop mode singing Gene Pitney's Tears From Heaven.
Co-written by Percy Faith (!), Rockin' and Yodelin' is, true to its title, an exercise in rock and roll yodeling, with Cathy Johnson skillfully managing both aspects, and then it's on to pure doo-wop with the Impacts (Canadian Sunset), a disc I first owned on its original label, RCA--and I believe it was the very first doo-wop side of my collection. Then, Jonnie Ray with Such a Night, accompanied (according to Google's AI) by Paul Weston, a fine cover of Long Lonely Nights by Kitty Kallen, and the Mike Pedicin Quintet with their classic fast-tempo take on Shake a Hand! (see label and VS images).
The final five numbers: The eccentric Groovy by Joe Dodo and the Groovers (sounding like something concocted by Ray Ellis or Johnny Douglas), the Five Stars' Pickin' on the Wrong Chicken, Don Cherry's Rumble Boogie (written by Eddie Curtis), June Valli out-melodramatizing Elvis with Bob Merrill's Tell Me, Tell Me, and Snooky Lanson providing a fine r&r vocal for 1955's Stop (Let Me Off of the Bus), a Dot side most likely inspired by Rock Around the Clock (and cowritten by Billy Vaughn!). Enjoy!
DOWNLOAD: Memorable Mono Media, Pt. 2.zip FLAC
Rock, Rock, Rock--The Dixiebelles w. Cornbread and Jerry, 1963
Midnight Hour--? (Question Mark) and the Mysterians, 1966
The Jones Girl--The Five Satins (Alt. take), 1956
There's No Other Way--Jackson Brothers Orch., 1952
Plantation Boogie (Lenny Dee-Vaughn Horton)--Buddy Cole w. the Wood Sisters, 1955
Ooo-Poppa-Doo--Lilyann Carol and the Jan Raye Quartet, 1956
Angel of Love (Fred Weismantel-Jack Schell)--The Four Voices, 1957
Ballroom Baby (Dick Glasser-C.J. Hall)--Pee Wee King and His Band, 1956
Al Di La--The Ray Charles Singers, 1964
Forty Days (Chuck Berry)--Ronnie Hawkins and the Hawks, 1959
Tears From Heaven (Gene Pitney)--Steve Lawrence, Arr. and Prod. by Don Costa, 1960
Rockin' and Yodelin' (Carl Sigman-Percy Faith)--Cathy Johnson and Friends, 1955
Canadian Sunset--The Impacts, 1958
Such a Night (Lincoln Chase)--Jonnie Ray, 1954
Long Lonely Nights--Kitty Kallen w. Chorus and Orch. dir. by Sid Feller, 1957
Shake a Hand! (Joe Morris)--The Mike Pedicin Quintet, 1955
Groovy--Joe Dodo and the Groovers, 1958
Pickin' on the Wrong Chicken--Five Stars, 1958
Rumble Boogie (Eddie Curtis)--Don Cherry w. Ray Conniff and His Orch., 1955
Tell Me, Tell Me (Bob Merrill)--June Valli w. Henri Rene's Orch. and Chorus, 1954
Stop (Let Me off of the Bus)--Snooky Lanson w. Orchestra, 1955
Lee







9 comments:
What an interesting mix of songs to dig into. Thanks!
There are some great songs on this lineup to choose from! Of course, you neglected to tell your reading public that "Rumble Boogie" was the flip side of Don's biggest hit, "Band of Gold", and it also probably features Ray Conniff as the opening voice on the song's introduction. Kitty Kallen's conservative take on "Long Lonely Nights" is just as good as the original by Lee Andrews and the Hearts, and "midnight Hour" is a great rockin' blues side from ? (aka Rudy Martinez) and the Mysterians, the flip of their #1 smash "96 Tears" and the final #1 for Cameo/Parkway Records before Allen Klein purchased the label. Johnnie Ray's version of "Such A Night" may not be as exciting as the remake from Elvis Presley, but it is just as good. Plus, the version of "Al-Di-La" included here from the Ray Charles Singers is my all-time favorite version of the song, the follow-up smash to "Love Me with All your Heart." More comments to come.
Keek,
Glad you enjoyed it!
musicman1979,
Yes, I forgot to mention that re Don Cherry's number, but I didn't know that RC provided the opening voice--cool! I'm not surprised, since (as far as I know) he did the whistling on Guy Mitchell's hits. And this is my favorite "Al-Di-La," too. It has something other versions lack. And, yes, the flip of "96 Tears." I should have included Big Maybelle's cover of "Tears"!
Funny you should bring up Louis Prima and a member of his posse. I ripped a later LP by Lou Sino last night. He played trombone for Sam Butera and thus for Louis for many years. I'm sure this record was recorded after he semi-retired to The Big Easy, sometime in 1981.
Ernie,
Interesting. That should be a familiar name to me, but it's not. Cool, nevertheless.
I just know it from ripping a handful of Louis Prima disks a couple years ago. I think he was credited with a couple of solo tracks. I think he was also listed under a couple of different pseudonyms, but they were close enough to each other that it was pretty obvious.
Thanks Lee for Sharing this great playlist.
As Joe says, Groovy. Plus it is such a great song.
Bryan,
My pleasure! Glad you enjoyed.
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