Wednesday, June 21, 2023

"8 Full Length Hits A' Poppin'" (Parade 5012; 1955) and Top Hits V-20: The fake hits don't get much faker!

 



Another Parade Records Hits A' Poppin' ten-incher, credited to Bobby Powers and his "hits a 'poppin' orchestra," plus all six tracks from the six-track 78 rpm EP Top Hits V-20.  You have been warned!

As ever, the Parade LP is made up of Prom label singles, and finding the original artist credits was complicated by two epic Prom misattributions--"Bob Hanley" for the female trio performing It May Sound Silly, and a vocal credit for Cherry Pink... in the absence of any vocal.  I thought there was an outside chance that, in this case, maybe Parade had used the 18 top Hits version of Silly, as credited to a "Larsen Sisters," but a side-by-side comparison torpedoed that theory.  Two very different fakes.

Prom/Waldorf crossover would have been cool, of course, and I have in fact discovered some early instances of such crossover--namely, from 1954, when Enoch Light departed SPC (Enoch must have carted some of his sides with him during the transition).  But there's no SPC/Waldorf crossover happening here.  What a great side story that would have made.

The true credit for each Parade track is listed below, and, as for the Top Hits titles, these were also released on Big Buy 4 Hit Tunes (a Gateway label), and the epic-train-wreck version of On Night also showed on the 1959 Crown 12 Top Hits (CLP 5038).  On Gateway, the number is credited (discredited?) to one Al Christi, who sounds exactly like the equally bad vocalist of With the Wind and the Rain..., though Gateway blames that one on a "Paul Boonton."  But, between these two epic misfires, One Night is the more "memorable."  Basically, we have not only a vocalist who can't handle Elvis' part to save his life, we're presented with backing musicians who relentlessly plunk the wrong chords (I and IV instead of I and V).  This understandably throws the singer even further off key.  Thus, what would have been merely a lousy budget cover becomes a for-the-ages-awful counterfeit.

The other Top Hits tracks aren't that great, either, but they're reasonably competent, even if the Louis Prima and Keely Smith surrogates seem to lose the tricky rhythms near the end of That Old Black Magic.   But it could have been a great deal worse.  We might call it not-quite-magic.  But a noble try, with a good band.  Somehow, I had gone my entire 66 years without (to my memory) hearing the Prima/Keely hit.

As for the "Bobby Powers" Parade sides, I did a major audio-save on those, isolating the right channel (the left was beyond hope) and patching over the needle-dig repeat in Ebb Tide.  I bridged the repeat pretty smoothly, though you'll nevertheless hear a gap.  Don't worry--it's not your player.  These Prom reissues are all competently done, as we'd expect, though the trio on It May Sound Silly had at least one consistently too-sharp singer (as in +-#).  But, next to One Night, anything and everything can be forgiven in the way of pitch imprecision.

Pledging My Love is the single blog repeat--I posted the Prom single on Feb. 15, 2019.

I added the Peter Pan (SPC) label seven-inch 78 issue of Where Will the Dimple Be? which credits Lee Adams and the Crickets.  The engineer mixed it with noticeably less bass than the LP cut.  As for the "James Etta and P. Otis" credit on Dance With Me Henry, that's how it appeared on both the Etta James and Georgia Gibbs singles (Wallflower and Dance With...).  And, of course, James Etta and P. Otis are Etta James and Johnny Otis.  For once, we're not looking at a rack-jobber-label error.

I added a composer tag this time, using Mp3tag.  And, in fact, as I type this I'll have to re-tag the Parade numbers, since I had to revise the credits after discovering that It May Sound Silly is, in fact, not the Top 18 Hits version.  And if this essay sounds silly, you're not alone--it reads silly to me, too.  Such is the risk taken when describing fake-hit track offerings.  It's often impossible to chronicle these things in a manner remotely real-world in nature.  They seem to exist in their own zone.


DOWNLOAD: Hits A' Poppin' and Top Hits (Parade 5012 and Top Hits V-20)


Hits A' Poppin' 5012

Unchained Melody--Bob Haley With the Prom Orchestra

Cherry Pink and Apple Blossom White--Bob Daily (false credit) With the Prom Orch.

It My Sound Silly--Bob Hanley (false credit; unknown female trio) With the Prom Orch.

Ebb Tide--Loren Becker With Enoch Light and His Orchestra (1953)

Dance With Me Henry--Patty Kay With the Prom Orchestra

Pledging My Love--Mona Grey With the Prom Orchestra

Top Hits V-20

Problems

One Night

That Old Black Magic

With the Wind and the Rain in Your Hair

The All American Boy

My Happiness


Lee

15 comments:

Buster said...

Well, at least old reliable Loren Becker shows up on "Ebb Tide." I assume he's in tune!

Lee Hartsfeld said...

Buster,

Ha! Yes, he does remarkably better than the failed Elvis imitator!

rev.b said...

I have a copy of Hits A' Poppin' 5012 buried in a closet upstairs. I was hoping you'd post it one day so I wouldn't have to dig it out. It's a safe bet your transfer will sound better than my actual copy anyway. Much appreciated.

Lee Hartsfeld said...

rev.b,

My pleasure! And, straight from the turntable, my copy sounds pretty dire--hence, I'm happy that the old isolate-the-good-channel tactic worked so well. I also dig the inflated bass response on this; I decided not to tinker with the engineer's recording curve, lest I "misrepresent" this artifact. And you've got to love the way that "Hits A' Poppin'" shows up with different punctuation and capitalization, even on a single LP issue!

musicman1979 said...

So you actually ponied up and bought the 78! This record does have some guilty pleasures for me; "The Anderley Brothers", as they are credited on My Golden Tone America's Top Tunes Volume 4, actually do a pretty good job with "Problems", even though some of the band sneaks in some clinker notes here and there.

I noticed the 78 is a completely different set of tunes than on the 45 version I found earlier this year; my copy has "Bimbombay", "A Lover's Question", and "Cannonball", which skips toward the end of the 45. My version of the 45 on 78 is still being posted for sale on E-Bay.

Looking forward to diving into the new SPC fakes and checking out the rest of this 78. Thanks for uploading.

PS: Review of Sounds of Silence album coming soon!

musicman1979 said...

Enjoyed the "With the Wind & the Rain In Your Hair." The orchestra and the uncredited singer did a really good job the Pat Boone-Billy Vaughn style.

This Connie Francis fake of "My Happiness" has more of a Rock flavor than Connie's original. It's decent, yet not great. Connie Landers would really give her hits excellent treatments when Hit Records openend for business in 1962.

Not a great fake of "All-American Boy" This singer does not have ANY of the energy and excitement or the personality of Bobby Bare, who sang on the Bill Parsons original. The singer sounds like he just got out of bed and came over to the recording studio half-awake!

Lee Hartsfeld said...

Glad you liked "With the Wind..." I found the vocal inadequate, but reviews are necessarily subjective, with no single assessment being correct or incorrect. Agreed on "All-American Boy," though--this guy was trying for a droll tone, and he came off as "Let's just get this session over with." And the lyrics to that narrated number have always confused me, since they seem to "side" both with an anti-rock'n'roll POV (learning the guitar overnight) vs. a pro-r&r stance (the targeting of Elvis at the height of his fame). I don't know if I've heard the Connie Landers version, but I'm sure it tops this one.

musicman1979 said...

The "Where Will The Dimple Be" fake is very good. The bass singer does a really good job imitaing Thurl Ravenscroft's bass vocals that were on the Rosemary Clooney original. One of her now-forgotten hits, but one of my personal favorites when I found a 78, and later, a 45, version of the original Columbia single 25 years ago this year.

As a huge Three Suns fan (Sorry, Buster), this is an excellent version of "Under Paris Skies." The uncredited accordionist does a great job nailing down Morty Nevins' distinctive style, as does the guitarist aping the George Barnes guitar licks in the original. This fake also shows up on the Diplomat LP collection Enoch Light and the Light Brigade Play Pops.

This cover of "Cherry Pink And Apple Blossom White" sounds like one of those Imported records recorded in Mexico than a Genuine imitation of the Perez Prado original. The version that you recently posted from your Hollywood Records "Labor of Love" actually sounds more realistic than this cover, which is lacking a lot of reverb and echo. At times, it has a Tito Puente vibe instead of Perez Prado. Like the unique trumpet licks at the end of the tune!

Even though the Orchestra doesn't quite nail the sound of Dick Jacobs' arrangement in SPC's take on the whitified version of "It May Sound Silly", the uncredited singers absolutely nail to perfection Christine, Phyllis, and Dorothy McGuire's vocal blend and style. Could have been a lot better. Decent cover, though.

Slightly faster tempo on their Georgia Gibbs "Dance With Me Henry" fake. The singer has some, yet not all, of Miss Gibbs' attitude and vocal style. Yet, it is a very good cover, one of the better ones from this era of Prom.

The uncredited singer on "Unchained Melody" sounds like he is aping Dennis Day's vocal style to the hit Al Hibbler arrangement. This singer does not have any of Al Hibbler's soul. However, he does try to include some of Hibbler's vocal mannerisms when he gets to the line "God speed your love", yet this comes off more like a cover than a direct copy of Al Hibbler's original Decca hit.

Trusty Loren Becker does a very good Vic Damone imitation on "Ebb Tide", at times throwing some of his Eddie Fisher vocal licks occasionally. This is Loren Becker at his most tender, intimate, and romantic. And listen to those Fisher-esque notes in the middle of the tune! Amazing.

Also, good Teresa Brewer "Pledging My Love" fake, even though the singer sounds more like Dottie Evans than Teresa Brewer; She certainly doesn't have Miss Brewer's icky-sweet occasional Betty Boop-style cuteness when she sings.

All in all, a fun listen. Three out of five stars for this post from me.



musicman1979 said...

Connie Landers did not cut "My Happiness" for Hit. I was saying that her covers of Connie Francis hits like "Follow the Boys" and "He Thinks I Still Care" (which is posted here on Current Hits, Volume One) are actually sometimes better than the original Connie Francis records.

lafong said...

I've been digging Bobby Bare's "All American Boy" for over 60 years, so I had high hopes on this cover.

It's undeniably horrible, but why in the world would you leave out several verses???

Running time of the original; 3'01

This mess; 1'32

It's only a rhetorical question; there is no accounting for what budget labels do.

Lee Hartsfeld said...

lafong,

Top Hits may have edited it down to fit the EP--or maybe they shortened it as an act of mercy. (-:

Diane said...

I just loooove these "poppin" covers. But none of the ones I've found In The Wild looks nearly as good as the ones you've worked your magic on. Thanks, Lee!

musicman1979 said...

Looking forward to checking out whatever "gems" from this blog you will be posting on your new YouTube channel. Should be good! Enjoy your long holiday weekend.

Lee Hartsfeld said...

musicman1979,

You, too! Right now, I'm hoping that the approaching thunderstorms will help clean the dirty air!

musicman1979 said...

Saw you finally found a 45 copy of my Goodwill Top Hits One Night 45 find! Good for you. I am also delighted that you posted Steve Todd's Johnny B Goode on Lee's Fake Hits. Have that Tops 45 in my collection and it sounds great! Hopefully Nick Bonney's Nat King Cole Fake "looking Back" will make an appearance on your channel. Aside from a few clinker notes, it's one of the better Nat fakes out there.