Thursday, June 15, 2023

Sounds of Silence (Modern Sound MS-1020)--A Hit Records classic from 1966!

 


I've given the date as 1966 (question mark), because there's the slimmest chance that 1965 was the release year.  But I doubt it, since Day Tripper (released in December, 1965) enjoyed its peak Billboard chart position in January of 1966.  This leaves a tiny window for this LP to have happened in 1965.  Maybe I could give the year as "1966-ish."

UPDATE: Hit Records expert Paul W. Urbahns informs me that this was released in January, 1966.  Thanks, Paul!

Bergen White himself was kind enough to identify the clever (and poignant) Another Year as one of his own Hit Records "B" side compositions; Then I found it in Discogs' Country & Western Hits discography, where I grabbed the artist's name (pseudonym?): Bob Adams.  The rest of these (all in excellent compatible stereo, a special type of stereo mastering which allowed play with both stereo and monaural styli) were first released as Hit Records singles, and so I've given the artist credits in the playlist (since, in the usual fashion, they weren't provided on the LP).  And how about that cover design?  Pretty snappy, no?  My scan very nearly captured the pink hue, though I had to doctor things a little.  I also had to clone out bends, wear spots, and a rip, but it's all part of the blogging biz.  I tried to keep the contrast consistent, but scans don't always work as they should.  Scanners have their own mind, sometimes.

Enough behind-the-blog data--What about the music?  Well, a perfectly decent Sounds of Silence fake by Sandy and Theodore (of whom Bergen was a member), and a more than adequately performed and beautifully engineered You're Just My Style copy by (brace yourself) Jason Allen and the Gigolos.  And I'll pause while we all recover from that credit.  Next, Paul and Paula's (Ray Hildebrand and Jill Jackson) Young Lovers, as faked by Bob & Bobbie (aka Bob and Bobby; see comment section), and then the near-excellent Bergen White You're Not the Same Now, which is amazingly effective for a rushed-to-press "B" side.  The song had considerable potential, and ditto for the aforementioned Another Year.  I especially like the payoff tag (how's that for a term?) at the close of the latter--"At least I'll never have to wait another year."  A very distinguished example of build-up-to-the-final-punch lyric writing.

The Sheridan Brothers give us a fine Flowers on the Wall imitation which ranks with the best of Hit Records' output, imo, and then we get to enjoy two Fab Four numbers, included the hauled-out-of-the-back-catalog-during-Beatlemania My Bonnie.  If I had to pick a favorite Hit Records track, Bonnie would be it--this wild and energetic, rock-the-needle cover may be even better than the original (by Tony Sheridan and the Beat Brothers, aka you-know-who, 1962).  This version of Day Tripper has a special place in my fake-hits heart, as well, being a very effective Fab Four counterfeit, almost in spite of itself.  That is to say, the middle-break harmonies don't quite come together as planned, obviously, but it's such a nice try, and I love the way the group almost gets it right.  Someone decided things were close enough, and they were right.  And the track has a lot of punch--perhaps even more than the original.  

The Roamers' 1964 Never Forget Me is quite well-performed, and this Bergen White effort is an ingenious copy of the British Invasion sound--it could pass for the real deal.  Given the epic number of downright awful budget-label attempts to steal said style, Bergen's number is all the more impressive.  Quite the budget exception, we could say.  Then, Connie Dee (Connie Sue Landers) with Once a Cheater, Always a Cheater, a beautifully performed, dead-perfect imitation of the Girl Group sound, and apparently penned by Connie herself.  That is, it's hard to imagine that composer "Connie Sanders" would have been anyone but Connie Sue.  Great side.

This may well be the most fun Hit Records/Modern Sound offering yet to make its appearance here.  And thanks again to Bergen for his composer i.d.


DOWNLOAD: Sounds of Silence (Modern Sound MS-1020; Jan., 1966)


Sounds of Silence--Sandy Sammy and Theodore

She's Just My Style--Jason Allen and the Gigolos

Young Lovers--Bob and Bobbie

You're Not the Same Now (Bergen White)--Fred Hess

Another Year (Bergen White)--Bob Adams

Flowers on the Wall--The Sheridan Brothers

Day Tripper--The Jalopy Five

My Bonnie--The Boll Weevils

Never Forget Me (Bergen White)--The Roamers

Once a Cheater, Always a Cheater (Connie Sanders)--Connie Dee



Lee


8 comments:

musicman1979 said...

I will get to this album hopefully either Saturday or Monday.

I can tell you for a fact that the version of "Young Lovers" on this LP is excellent, despite a few clunker notes from the band sprinkled throughout the number. "Bob and Bobbie" is actually Bobby Russell and Connie Landers, who are really at the top of their A-game here, as they make Hit's version of Paul and Paula's follow-up smash "Hey Paula" sound more like a cover than a direct aping of the original Phillips single. I especially like Connie's singing at the beginning of the second verse after Bobby Russell solos on the first verse. This is one of those fake hit golden oldies that occasionally cropped up during this "Generic album cover with no title" era of Modern Sound. "Young Lovers" made it's initial LP appearance on Hit's Current Hits, Volume 5 LP as the opening selection on Side Two, preceding Connie Landers' better-than Connie Francis cover of "Follow the Boys."

Lee Hartsfeld said...

musicman1979,

Thanks--I figured "Bobby" might be the one and only BR, but you never know with the budgets (even superior budget operations like Hit Records). So, Bobbie is Connie; I should have guessed! Eager to hear your full review. Interested to hear your take on "Never Forget Me," Bergen's best (imo) "B" side effort here.

Timmy said...

This is fantastic! Some really tacky & yet almost sincere renditions of a few 60's top-40 pop-rock hits. I detect a vague European accent, from the Germanic region, perhaps of at least two numbers; "Day Tripper" & "Sounds Of Silence". How you dig these otherwordly LP's out of the catacombs is beyond me, but keep delving.

Lee Hartsfeld said...

Thanks, Timmy! And I intended to. Some Parade/Prom fake-hit sounds coming up, along with a priceless "Top Hits" (origin unknown) coming up. And I think you skillfully described the essence of this Modern Sound collection's charm.

Ernie said...

Thanks, Lee! I've seen this one a few times, but never when I was in the mood to pick it up. It jumps out at me from the endless other titles because of the Statler Brothers song right there on the front. I was raised with The Statlers on the turntable most of the time, as they were Dad's favorite group. Which meant just about every Christmas or birthday, he got the latest Statler Brothers LP. :)

musicman1979 said...

Side One:
"Sound Of Silence" is less folksy and more Poppy than the Simon and Garfunkel original. The Nashville cats here copy the full band version instead of the more quiet-acoustic sounding original. The name of this act is actually Sammy and Theodore. For sure, this "Act" cut four covers for Hit, all Simon and Garfunkel sides. The "flowers On the Wall" fake, included here, was on the flip side of the original 45 RPM single of "Sounds of Silence." Like most Hit covers, it is just as good, or even better than the original.

Unique interpretation of "She's Just My Style." The uncredited singer certainly does a better job than Gary Lewis; great as he was, he still needed to have vocal "help" (aka future Partridge Family background singer and '70's Ray Conniff Singer Ron Hicklin) on the hit recordings from the groups peak years. Hit does an excellent job recreating the guitar parts and even the background vocals that Stan Farber and Al Capps did on the original Liberty hit record. Only the background vocals, which does include Bobby Russll, fall short on this excellent cover that is also uploaded onto YouTube.

"Young Lovers"--see my first comment.

"You're Not the Same Now" is an excellent Bergen White-penned B-side. To my ears, it is fashioned as if it was going to be a demo for the Righteous Brothers. The uncredited Bobby Hatfield wannabe does a great job on his vocal solo during the bridge. The saxophone section here also gives it a touch of a 1950's Pop/Rock musical flavoring.

"Another Year": Excellent story song that lingers into your mind and makes you think long after the last notes of the song has concluded. My only complaint is that the singer's vocals are just too nice on this. A tale this tragic needs a singer with the caliber of a Brian Hyland, Gene Pitney, or even Ray Peterson to make the lyrics believable. In the end, this amazing song comes off as having the flavor of a Bobby Vee recording. This song also was probably written three years too late; it would have been a pretty substantial hit in the era of "Patches" and "Tell Laura I Love Her."

musicman1979 said...

Side Two:

A very laughable cover of "Flowers on the Wall." A vocal group here that probably includes Bobby Russell, Buzz Cason, and Bergen White does not even come close to nailing down the distinctive bass-baritone sound of the Statler Brothers, who probably rank next to the Oak Ridge Boys as one of two acts in Country music that probably sound the closest to the Ames Brothers. Excellent instrumentation, though. Probably some of the same musicians who played on the original Statler Brothers recording might be playing on this fake. Still not one of my favorite songs of the era.

"Daytripper" is the only tune on this LP that is a blog repeat, having originally appeared here on "That English Sound" in April of 2020. Was not particularly impressed with the vocals. However, the band does a great job re-creating the Fab 4's original music. Also includes some cringe-worthy notes from the singers towards the end of the tune.

"My Bonnie", on the other hand, is the better of the two Beatles covers included here. Bobby Russell is doing his best to ape Tony Sheridan's vocal style and yet sounds more like Bobby Russell than Tony Sheridan. The vocals on this fake are much more up front and in your face than in the Stereo mix of the original by Tony Sheridan and the Beat Brothers. They really nail the Beatles' guitar sound here, at times bringing to mind John and George's excellent licks on "I Saw Her Standing There", even the guitar solo on "Mean Woman Blues." One of the few Fab Four fakes where the cover is better than the original. The only time Hit used the Boll Weevils moniker for a Beatles fake, with the other side being "Please Please Me." This "My Bonnie" fake is also uploaded onto YouTube.

I do tend to agree with you about "Never Leave Me." Very well-crafted British Invasion-styled tune from Bergen White. However, it is more in the vein of Chad and Jeremy's "Yesterday's Gone" than a Beatles hit. The harmonies are in the style of the Lettermen and the Vogues with some Chad and Jeremy/Peter and Gordon-style flourishes with a touch of Beatles harmonies, without directly aping their unique vocal style.

The excellent Connie (Landers) Dee closes out the proceedings with "Once A Cheater, Always A Cheater." Miss Landers' original composition to my ears sounds like an homage to the Nashville-styled takes on teen hits that Skeeter Davis recorded earlier in the '60's, like "I Can't Stay Mad At You" and "Let Me Get Close To You." Even Connie's double-tracked vocals are an homage to both Skeeter's singing on those hits and such Brill Building Eydie Gorme fare as "Blame It on the Bossa Nova" and "Don't Try To Fight It, Baby." As always, Connie blesses us with some great vocals here. The second-to-last 45 Hit Records released under the "Connie Dee" alias.

This is a very excellent Modern Sound/Hit Records soundalike album where even the lesser songs have the same high caliber as the originals. Perfect five-star rating from me.

Lee Hartsfeld said...

musicman1979,

Yes, this version of "Silence" definitely stems from the rock-ized revision of the S&G song. When I first heard it in its acoustic form, I liked it, but the updated mix gives it more dramatic power, imo. And thanks for the typo alert--my eyes saw "Sammy" and my brain misread it, or something. I agree the background vocals fall short on "Just My Style"--they're almost there. Happy you agree that the Bergen White songs are fine, though I feel they needed an extra layer of polish. Amazingly good for numbers churned out on a tight schedule, but in need of a few tweaks. And I thought "Flowers" went over pretty well, but... there's no right or wrong impression when it comes to these things. And, yes, "My Bonnie" is maybe the all-time most amazing Hit single, but it was originally Sheridan on the solo, not George. Re Skeeter Davis' superb King numbers, I always felt they had the King-production sound, that they differed from Davis' usual output. I associate that sound with the girl groups. Just a generalization. I totally concur with your five-star rating. Thanks for the reviews!