I discovered this morning that the download link wasn't working on this post (from last year), and the file must have vanished this year when Workupload was down for a day. I've discovered a number of other defunct links links from fairly new posts, so if you encounter expired links from 2019-2021, let me know--I have most of the zip files on my hard drive. Anyway, from January, 2021, Peter Pan, Pickwick, and Spear Records classics of the lovably cheap variety. To the original post:
This time, more kiddie stuff, some of it performed by kiddies, including three Pickwick tracks which appeared on both Playhour Records (in mono) and on this two-record set (in stereo):
The Joyous Season was a Pickwick special, by which I mean it was Pickwick at its... Pickwick-est. Not only are there no artist credits to be found, there isn't even a label name--that is, unless
The Joyous Season was supposed to pull double duty as both the set title
and the label name. With Pickwick, any act of cheapness is possible. By the way, my copy made it to Goodwill with only one record in the fold-out packet, so I guess I could call mine
The Semi-Joyous Season. Miraculously, the single, sleeveless record is in like-new condition. Except for the missing record, someone took good care of this. (Maybe they never played it.)
Anyway, we get stereo versions of Rudolph the Red Nosed Reindeer, Up on the Housetop, and--especially for Bryan--The Twelve Days of Christmas. All appeared on Pickwick's Playhour label in mono mixes, and I've included the mono mix of The Twelve Days. What's cool about this is the novelty of hearing a Pickwick children's track in actual stereo, and you can hear how the mono mix gives the voices a more strident quality. If Pickwick had never issued The Joyous Season, we might never have had the chance to hear any of the group's kiddie efforts in stereo, so... this is cool. It rocks my world, anyway. My therapist told me, "Whatever excites you--so long as it's legal."
Next, Spear Records, which Discogs tells us was connected to Spear Products. Going to Spear Products, we learn that Spear Products was connected to Spear Records. Going to Spear Records, we learn that Spear Records was connected to Spear Products. So, going to Spear Products, we... (Somebody stop me... Help!!) Whew. And, so, we--or, at least, I--know zilch about Spear Records, except that it was a very, very cheap operation which managed to convince some talented folks to record for it, which only goes to show that there are more talented people than labels to feature them. Something like that. The Spear sides are fun and short. Their 45s were co-released with six-inch 78s in the manner of Golden Records. Which was connected with Golden Products, which was connected with Golden Records, which was connected with... just kidding.
Spear's choral direction was by Hugh E. Perette, who also recorded for Mayfair and Mercury. One of his Mayfair sides was
Kiddie Konga, on which he backed June Winters (left), who was married to Hugo Peretti, one of the writers of Elvis'
Can't Help Falling in Love. What stories these cheap labels tell.
Then, Laura Leslie--who recorded Baby, It's Cold Outside with Don Cornell on RCA Victor--somehow finds herself at SPC (Synthetic Plastics Co.), recording charming but poorly pressed Peter Pan Records sides like Sleigh Ride, which I really love in this version. Actually, I love it in any version. I'll have to jump down so I can combine the label image with text. Here I go.
What a cool pic label. And someplace, buried or tucked away in all my stuff, is the cool pic sleeve for this side. I'll have to swipe the Discogs image and see if I can coax over here, on this side.
Well, I almost did it. There it is, directly below. Note the cruder but fun "period" art. Then, one of my all-time favorite low-budget kiddie holiday sides,
Sing a Kris Kringle Jingle, written by none other than J. Fred (
Santa Claus Is Comin' to Town) Coots. According to the seven-inch Peter Pan 78 I ripped, the singer is Bobby Stewart. According to the 45 rpm edition, the singer (who gets one or two short solo spots) is Gabe Drake. I'm going with Drake, because it's clearly the same guy who did the Prom fake-hit version of
Rock Around the Clock--the best of the RATC fakes--though this assumes he was actually named Gabe Drake.
Next,
La Dee Dah and
Love Is Strange. And what are these two numbers doing in a holiday playlist?
Simple--they were both issued by SPC with Christmas art on the labels. I have no idea why. Logic would suggest that SPC simply screwed up, or... that it ran out of regular labels and decided to use a stack of leftover Christmas-themed labels (waste not, want not). As I'm always saying, the cheapie labels saved money on quality control by not having any. Very clever strategy. See labels below.
On Peter Pan, Gabby Dixon and the Crickets (pre-Buddy Holly?) give us When Santa Claus Gets Your Letter, a fairly well known song by Johnny (Rudolph the Red Nosed Reindeer) Marks. And I guess I figured that Pickwick had trademarked "Crickets" and all variations thereof (Cricketones, etc.), but I'm looking for order in the cheap-label world, and I already know there's none to be found...
And here are four later (post-1950s) SPC efforts, from an EP whose sleeve art makes me cringe. I don't know why. Rudolph is supposed to look cute, but... I don't know. Something's wrong with the art. For one thing, he doesn't look like a reindeer. Maybe that's it. And did I say post-1950? Yes, except for the same ol' Johnny Kay version of '
Twas the Night Before Christmas, which likely showed up in so many different issues, someone could write a book about it. Or at least a long chapter in
Johnny Kay--a Discography.
Kay was the SPC singer with Perry Como's voice but not his looks--he looked more like Johnny Desmond, but with less sex appeal. Not knocking his looks--Kay had nothing to worry about in that department, but we all know that singing stars need more than excellent pipes if they're going to make it big. Oh, and
Rudolph's Christmas Party may not set new standards for terribleness, but then again... Other than Kay (who, of course, is not credited), the artists on Rudolph are the usual unknown kid singers. We have to wonder if there was a special musician's union for uncredited artists.
Then, we hear what I regard as the second-best recording of Carol of the Drum, under its much better known stolen title (not quite sure how to put that), The Little Drummer Boy. This is allegedly by the Peter Pan Caroleers, but this sounds very recorded-in-Europe, and the choir is simply too good to be Peter Pan regulars. Otherwise, I can't figure how such a superb rendition would end up on the cheapest of the kiddie labels. It has a fairly cool picture sleeve. Well, actually, it's not very good, really...
The rest of our tracks are Pickwick specials, including the mono Playhour label rendition of The Twelve Days of Christmas, plus the fun, toss-away Mixie Pixie. The echo-drenched Carol of the Bells is well done--perhaps too well done for Pickwick, a la The Little Drummer Boy for SPC--and I think it's important to annually post at least one recording of this great number done correctly. Namely, in its original version with its wonderful counterpoint and its slow, dramatic crescendo. (We also hear it earlier in the playlist as Ring Christmas Bells.) I suspect the most famous rendition of Bells is that bit of mindless, noisy repetition by a group I'd love to have banned from all thrift store PA speakers during Christmas. Done stupidly, Carol of the Bells is nothing but the same four (actually, three) notes repeated over and over and over, and I totally get why so many folks hate it--I used to be one of those folks. That is, until I heard the Robert Shaw Chorale's first RCA recording, at which point I realized, "Hey, this is music!" Superb music. Performers who don't feel like doing it correctly, or who can't read more than one line of music at a time, or whatever, should jump down a well rather than debase this choral classic. Just a kind, cheery suggestion for the season. Remember--three more days!!
